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YAMAHA DTX Electronic Drum Kit Assembly Manual

DTX6K3-X DTX6K2-X

Thank you for purchasing the Yamaha ELECTRONIC DRUM KIT DTX6K3-X or DTX6K2-X. This electronic drum kit can be used in your home or a studio, or onstage for live performances. For proper assembly and safe use, please read this assembly manual carefully before using it. After you have read the manual, keep it in a safe and handy place for future reference.

This manual describes the standard assembly procedure for the DTX6K3-X/DTX6K2-X electronic drum kits. It covers assembly, wiring and setting up the drum trigger module of the kit as shown below.

The illustrations show the DTX6K3-X electronic drum kit, but the information applies to the DTX6K2-X (except where indicated).

Example of standard assembly

IMPORTANT

This manual describes the process of assembling a pad set and drum trigger module to an already assembled RS6 Electronic Drum Rack. Before starting the steps below, therefore, be sure to assemble your RS6 as described in the Owner’s Manual that came with it.

NOTICE

Lay a drum mat (sold separately) on the floor underneath the hi-hat stand and the kick pad. Alternatively, you can place cardboard from the drum kit packaging or the like on the floor to prevent it from being scratched.

PRECAUTIONS

Please read carefully before proceeding

The purpose of the precautions detailed below is to ensure that this electronic drum kit can be used safely without fear of injury or property damage. As a means of indicating the severity and immediacy of any risk of injury or property damage resulting from incorrect operation, these precautions are classified as either WARNING or CAUTION. The instructions displayed together with these precautions are extremely important in terms of ensuring safety, and therefore, they should be fully observed.

* After reading this Assembly Manual, ensure that it is kept in a safe, convenient location for future reference.

* Be sure to also read the Assembly Manuals and/or Owner’s Manuals that came with your pads and rack.

WARNING

Failure to observe the precautions described below can result in serious injury or even death.

  • Young children using this electronic drum kit should be supervised by a guardian to eliminate any possibility of injury.
  • Holders for cymbal and tom pads have sharp tips. In order to avoid injury, therefore, you should take special care whenever handling these components.
  • The anti-slip stoppers on kick pads and foot pedals have sharp tips. In order to avoid injury, therefore, you should take special care whenever handling these components.
  • Be sure to securely tighten nuts and other fasteners when setting up this electronic drum kit. In addition, be sure to proceed slowly when loosening nuts. If this precaution is not observed, pads may fall off or the rack may collapse or fall over, possibly causing injury.
  • Do not setup this electronic drum kit on a slope, on an unstable platform, or on any other unsafe surface. If this precaution is not observed, it may topple over or fall, possibly causing injury.
  • Whenever setting up this electronic drum kit, ensure that cables and the like are arranged safely. If someone were to trip on a cable, the kit could topple over and cause injury.
  • Under no circumstances should this electronic drum kit be disassembled or customized. Failure to observe this precaution can result in injury or malfunction.
  • Do not sit or stand on the rack. Doing so could cause it to fall over or break, possibly causing injury

* The illustrations as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.

* The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.

CAUTION

Failure to observe the precautions described below can result in injury and/or property damage.

  • Mind your fingers when adjusting clamps. They can easily be crushed if care is not taken during this operation.
  • Be careful with the tips of supports, arms, screws, and the like. Fingers can easily be injured by sharp tips if these components are not handled carefully.
  • Do not place hands or feet under a kick pad or foot pedal. Doing so could result in injury.
  • Do not use the electronic drum kit’s rack to hold acoustic drums. Doing so could cause clamps to break and the drums to fall off, which in turn could lead to injury

NOTICE: Usage Precautions

  • When connecting and disconnecting cables, be sure to hold the plug and not the cable itself. In addition, avoid placing heavy items on top of cables and do not allow them to touch sharp edges. Failure to avoid these precautions can lead to cable breakage and disconnection.
  • Do not climb onto the electronic drum kit and avoid placing heavy objects on it. Failure to observe this precaution can result in malfunction.
  • Avoid using or storing the electronic drum kit in very hot locations (i.e., in direct sunlight, in close proximity to a heater, or in a closed vehicle) or in highly humid locations (i.e., in a bathroom or outdoors in wet weather). Failure to observe this precaution can lead to warping, discoloration, malfunction, or breakdown.
  • Avoid cleaning the electronic drum kit with organic solvents, paint thinner, or alcohol as these substances can cause warping and discoloration. Instead, we recommend you remove dust using a soft dry cloth or wipe clean using a moist, tightly-wrung cloth. If the electronic drum kit is very dirty, first wipe the dirt away using a cloth moistened with a neutral detergent solution and tightly wrung. Following this, wipe away the detergent solution using a cloth soaked in water and tightly wrung.

Assembling the hi-hat stand

  1. If a drum mat (sold separately) is not available, lay a sheet of cardboard on the floor to prevent it from being scratched.
  2. Loosen the hi-hat stand’s wing bolt a.
  3. Open up the three legs as shown below and then retighten the wing bolt a to lock them in place.
  4. Insert the footboard stabilizer rods into the frame holes as shown below.
  5. Loosen the hi-hat clutch’s wing bolt b and remove the hi-hat clutch.
    * The hi-hat clutch is not required when assembling the electronic drum kit in the standard fashion described in this manual. Instead, the hi-hat clutch that came with the RHH135 Real Hi-hat Pad will be used.
  6. Remove the hi-hat shaft B from the upper tube A.
  7. Insert the hi-hat shaft B removed in Step 6 as far as it will go into the lower tube C and screw in the tip.
  8. Insert the upper tube A over the hi-hat shaft B and tighten the wing bolt c to secure it in place with the cymbal support plate approximately half way between the top of the lower tube C and the top of the hi-hat shaft B.
  9. Remove the felt pad attached above the cymbal support plate. It is not required when assembling the electronic drum kit in the standard fashion described in this manual.
  10. Assemble the RHH135 Real Hi-hat Pad.
    * For detailed instructions, refer to the “Setting Up” in the RHH135 Owner’s Manual.

Assembling the drum trigger module and cymbal pads

  • Drum trigger module
  1. Secure the module holder to the bottom of the drum trigger module using the module holder screws.
  2. Push the module holder into the holder clamp and tighten the clamp bolt to secure it in place.
  • Cymbal pads
  1. Using the drum key, loosen the stopper’s key bolt.
  2. Remove the wing nut, the two felt pads, and the bolt cover from the cymbal holder.
  3. Place the stopper on the cymbal holder.
    * If the key bolt was not sufficiently loosened in Step 1 above, it may not be possible to pass the stopper over the cymbal holder’s shaft. In such a case, loosen the key bolt as much as possible without removing it.
  4. Replace the bolt cover.
    * Turn the bolt cover to tighten it onto the threaded section and firmly secure it in place.

  5. With the stopper making full contact with the bottom surface of the bolt cover as shown below, tighten the stopper’s key bolt using the drum key.
  6. Place one of the felt pads removed in Step 2 on the cymbal holder.
  7. Mount the pad on the cymbal stand. Lower the pad into place with the cymbal holder’s shaft passing through the central hole. When mounted, the stopper’s pin should rest inside the pad’s smaller hole.
    * If you were to play your cymbal pad without the stopper’s pin positioned well inside the smaller hole, the pad could rotate, causing the pin to be pulled out. It is very important, therefore, to ensure that the stopper is secured as shown in Step 5 above.
  8. Assemble the other felt pad removed in Step 2 to the cymbal holder.
  9. Tighten the wing nut to secure the pad to the cymbal holder.

Assembling the kick pad

  1. If a drum mat (sold separately) is not available, lay a sheet of cardboard on the floor to prevent it from being scratched.
  2. Remove the two wing bolts from the kick pad frame, and then place them nearby.
  3. Join the base to the frame as shown on the right, and then secure it in place by the wing bolts removed in the previous step from the base side.
    NOTE
    For details on assembling the foot pedal (sold separately), refer to the “Assembling the KP90” in the KP90 Owner’s Manual.
  1. Open the boxes to reveal their contents.
    After opening up the packages containing your electronic drum kit, please verify that all of the following components are present.
    Components of both DTX6K3-X and DTX6K2-X

  2. Assemble the RS6 Electronic Drum Rack.
    For instructions on how to assemble the RS6 Electronic Drum Rack, refer to the Owner’s Manual that came with it.
  3. Assemble the pads and the drum trigger module to the electronic drum rack.
    Assembling the snare and tom pads

  4. Arrange the hi-hat stand and the kick pad as shown in Example of standard assembly on the other side of this sheet.
    NOTICE

    • Lay a drum mat (sold separately) on the floor underneath the hi-hat stand and the kick pad. Alternatively, you can place cardboard from the drum kit packaging or the like on the floor to prevent it from being scratched.
    • Ensure that you do not lower the electronic drum rack’s center strut too much as doing so may cause it to come into contact with the kick pad.
  5. Connect the pads to the drum trigger module.
    As described below, connect the output of each pad to the corresponding trigger input jack on the drum trigger module.

    1. Plug the straight ends of the ten-channel snake cable into the trigger input jacks on the back of the drum trigger module.
      • When using the standard setup, the stickers on each of the snake cable’s plugs will indicate the name of the corresponding pad.
    2. Plug the L-shaped ends of the ten-channel snake cable into the corresponding pads.
    3. Wrap the cables for the snare pad, the tom pads, the cymbal pads and the hi-hat pad around the cable clips to prevent them from being pulled out.
      NOTICE
      Excessive bending can damage pad cables. Ensure, therefore, that these cables are not bent at an extreme angle when wrapped around the clips.
    4. Using the cable bands, secure the cables to the electronic drum rack at the positions circled in the figure on the right. ( O )
      If you secure the cable band from the side closer to the drum trigger module, you can make connections more easily.
  6. Connect the drum trigger module to a power supply.
    1. Plug the AC adaptor’s DC cord into the connector. Hook the AC adaptor’s DC cord around the cord clip to secure it in place.
      CAUTION
      Excessive bending can damage AC adaptor’s DC cord. Ensure, therefore, that the cord is not bent at an extreme angle when wrapped around the clips. Doing so can cause fire or electrical shock.
    2. Plug the adaptor’s AC cord into a domestic wall socket.
  7. Setting up the drum trigger module.

According to your particular electronic drum kit, select the “DTX6K3-X” or the “DTX6K2-X” trigger setup on your drum trigger module. (For details on the trigger setup procedure, refer to the “Initial Settings (Trigger Setup Wizard)” in the DTX-PRO Owner’s Manual.)

The selection of the trigger setup is very important. Selecting the wrong trigger setup will adversely affect your ability to perform comfortably. Use the correct trigger setup that corresponds to your particular electronic drum kit for optimum performance.

  • Kick pad output (LEVEL) adjustment:
    Adjust the trigger output to your desired setting by using the KP90 kick pad’s level adjustment knob. For details, refer to the “Adjusting the Output Level” in the KP90 Owner’s Manual.

IMPORTANT

  • You can play comfortably by striking near the YAMAHA logo. Adjust the height, angle and orientation of the cymbal pad and hi-hat pad to a position where you can hit around the YAMAHA logo naturally when performing. The correct setting position is that the YAMAHA logo of the cymbal pad and hi-hat pad are visible in front of the performer. The direction of the cymbal pad will be appropriate by adjusting the direction of the stopper as shown on the right. The direction of the hi-hat pad will also be appropriate by adjusting the direction of the hi-hat clutch.
  • The hi-hat shaft will become loose while you continue to use the hi-hat, and the hi-hat pad may rotate. Since this may adversely affect performance, screw in the hi-hat shaft periodically and adjust the position of the hi-hat pad.

Your electronic drum kit is now ready.

* For instructions on turning on the drum trigger module, producing sounds, and other subsequent steps, please refer to the Owner’s Manual that came with the module.

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Yamaha YDS-150 Digital Saxophone Instruction Manual https://itsmanual.com/yamaha/yds-150-digital-saxophone/ Tue, 29 Apr 2025 17:28:22 +0000 https://itsmanual.com/?p=223371 Read More...

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Yamaha YDS-150 Digital Saxophone Instruction ManualYamaha YDS-150 Digital Saxophone Manual

Yamaha YDS-150 Digital Saxophone Figure

 

SIMPLIFIED EU DECLARATION OF CONFORMITY
Hereby, Yamaha Music Europe GmbH declares that the radio equipment type [model 1, model 2, model 3] is in compliance with Directive 2014/53/EU. The full text of the EU declaration of conformity is available at the following internet address:
https://europe.yamaha.com/en/support/compliance/doc.html

Importer: Yamaha Music Europe GmbH
Siemensstrasse 22-34, 25462 Rellingen, Germany

  • Radio Frequency (Operational Frequency)………2402 MHz to 2480 MHz
  • Maximum Output Power (EIRP) …………………….4.0 dBm (2.5 mW)

This device complies with Industry Canada’s licence-exempt RSSs. Operation is subject to the following two conditions:

  1. This device may not cause interference; and
  2. This device must accept any interference, including interference that may cause undesired operation of the device.

This equipment complies with IC radiation exposure limits set forth for an uncontrolled environment and meets RSS-102 of the IC radio frequency (RF) Exposure rules. This equipment has very low levels of RF energy that is deemed to comply without testing of specific absorption rate (SAR).

This transmitter must not be co-located or operated in conjunction with any other antenna or transmitter.

This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment and meets the FCC radio frequency (RF) Exposure Guidelines. This equipment has very low levels of RF energy that is deemed to comply without testing of specific absorption rate (SAR).

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.

 

AWarning Iconlways follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

Power

  • Do not place the USB cable near heat sources such as heaters or radiators. Also, do not excessively bend or otherwise damage the cord, or place heavy objects on it.
  • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
  • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

Do not open

  • This instrument contains no user-serviceable parts. Do not open the instrument or attempt to disassemble or modify the internal components in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.

Water warning

  • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
  • Never insert or remove an electric plug with wet hands.

Fire warning

  • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.

Influences on electro-medical devices

Radio waves or magnetism may affect electro-medical devices.

  • Do not use this product near medical devices or inside areas in which the use of radio waves is restricted.
  • Do not use this product within 15cm (6 in.) of persons with a heart pacemaker or defibrillator implant.

Battery

  • Follow the precautions below. Failure to do so might result in explosion, fire, overheating or battery fluid leakage.
    • Do not tamper with or disassemble batteries.
    • Do not dispose of batteries in fire.
    • Do not attempt to recharge batteries that are not designed to be charged.
    • Keep the batteries separate from metallic objects such as necklaces, hairpins, coins, and keys.
    • Use the specified battery type (page 15) only.
    • Use new batteries, all of which are the same type, same model, and made by the same manufacturer.
    • Always make sure all batteries are inserted in conformity with the +/- polarity markings.
    • When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument.
    • When using Ni-MH batteries, follow the instructions that came with the batteries. Use only the specified charger device when charging.
  • Keep batteries away from small children who might accidentally swallow them.
  • If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.

If you notice any abnormality

  • When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. (If you are using batteries, remove all batteries from the instrument.) Then have the device inspected by Yamaha service personnel.
    • The USB cable or plug becomes frayed or damaged.
    • It emits unusual smells or smoke.
    • Some object has been dropped into the instrument.
    • There is a sudden loss of sound during use of the instrument.
    • If any cracks or breakages exist on the instrument.

 

Caution IconAlways follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

Power

  • Do not connect the instrument to an electrical outlet using a multiple connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
  • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the USB cable. Pulling by the USB cable can damage it.
  • Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
  • Use the specified USB power adaptor (page 10) only. Using the wrong adaptor can result in damage to the instrument or overheating.

Location

  • Do not place the instrument in an unstable position where it might accidentally fall over.
  • Before moving the instrument, remove all connected cables, to prevent damage to the cables or injury to anyone who might trip over them.
  • When using an electric plug, make sure that the AC outlet you are using is easily accessible in plain view. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to disconnect the plug from the wall AC outlet.

Connections

  • Before connecting the instrument to other electronic components, turn off the power for all components. Before
    turning the power on or off for all components, set all volume levels to minimum.
  • Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Handling

  • Do not insert a finger or hand in any gaps on the instrument.
  • Never insert or drop paper, metallic, or other objects into the gaps on the panel or keys. This could cause physical injury to you or others, damage to the instrument or other property, or operational failure.
  • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
  • Do not use the instrument if the mouthpiece, reed or ligature is damaged.
  • Keep small parts out of the reach of infants. Your children may accidentally swallow them.
  • Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
  • When using a strap, make sure the strap is securely attached to the instrument.
  • Do not lift the instrument by the strap. It can cause serious injury or damage to the instrument.
  • Do not treat the instrument in a rough manner such as swinging it about, etc. The strap on the instrument may detach causing unexpected accidents such as the instrument dropping, etc., or injuring persons close by.

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.
Even when the [” alt=”Power Button” width=”22″ height=”21″ data-ezsrc=”https://manuals.plus/wp-content/uploads/2020/12/Power-Button-1.jpg” />] (Standby/On) switch is in standby status (power lamp is off), electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet. Make sure to discard used batteries according to local regulations.

NOTICE

To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.

Handling

  • Do not connect this product to public Wi-Fi and/or Internet directly. Only connect this product to the Internet through a router with strong password-protections. Consult your router manufacturer for information on security best practices.
  • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. When you use the instrument along with an application on your smart device such as a smartphone or tablet, we recommend that you set Bluetooth to on after setting “Airplane Mode” to on on that device in order to avoid noise caused by communication.
  • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation. (Verified operating temperature range: 5° – 40°C, or 41° – 104°F.)
  • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or key-board.
  • Do not leave the instrument for a long period of time with a key pressed, since this might damage the key.

Maintenance

  • When cleaning the instrument, use a soft cloth. Do not use paint thinners, solvents, alcohol, cleaning fluids, or chemical-impregnated wiping cloths.
  • Be careful not to expose the instrument to water. If any water gets on the instrument, wipe it off using a dry cloth.

Information

About this manual

  • The illustrations and LED displays as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
  • The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Yamaha Corporation is under license.

 

  • The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

About Bluetooth

Bluetooth is a technology for wireless communication between devices within an area of about 10 meters (33 ft.), and employs the 2.4 GHz frequency band.

Handling Bluetooth communications

  • The 2.4 GHz band used by Bluetooth compatible devices is a radio band shared by many types of equipment. While Bluetooth compatible devices use a technology minimizing the influence of other components using the same radio band, such influence may reduce the speed or distance of communications and in some cases interrupt communications.
  • The speed of signal transfer and the distance at which communication is possible differs according to the distance between the communicating devices, the presence of obstacles, radio wave conditions and the type of
    equipment.
  • Yamaha does not guarantee all wireless connections between this unit and devices compatible with Bluetooth function.

Your particular instrument does not have Bluetooth capability if a “Y” indication is printed on the upper right corner of the label at the bottom.

Thank you for purchasing the Yamaha Digital Saxophone! This digital saxophone can be used for playing and practicing at home. We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference.

Included Accessories

  • Mouthpiece set (mouthpiece, ligature, cap, reed) × 1 Yamaha YDS-150 Digital Saxophone - Mouthpiece set
  • Strap × 1 Yamaha YDS-150 Digital Saxophone - Strap
    • NOTE
      • The strap is stored in the pocket inside the special case.
  • Replacement O-ring × 1 set (3 pieces included) Yamaha YDS-150 Digital Saxophone - Replacement O-ring
  • Replacement reed × 1 Yamaha YDS-150 Digital Saxophone - Replacement reed
  • Special case × 1
    • NOTICE
      • Make sure to only store this instrument and the strap inside the special case, since storing other things might damage the keys.
  • Owner’s Manual × 1

Controls and Functions

Front sideYamaha YDS-150 Digital Saxophone - Controls and Functions - Front side

Left side Yamaha YDS-150 Digital Saxophone - Controls and Functions - Left side

Back Side Yamaha YDS-150 Digital Saxophone - Controls and Functions - Back side

Laying the Instrument Down
When the instrument is not being played, place it on a flat surface as shown in the illustration below. Do not place the instrument on a chair, music stand, or other such unstable surface, as there is a risk of the instrument falling. Also, never lean the instrument up against a wall, etc.

Yamaha YDS-150 Digital Saxophone - Laying the Instrument Down

NOTICE

  • Do not stand the instrument up by itself. Doing so can cause damage to the instrument due to the impact if it falls down. If you want to stand the instrument up, please use a commercially available stand.
  1. Mouthpiece set
    For use exclusively with this instrument.
  2. Keys
    (Fingering Chart: page 20)
  3. Bell
    There is a water drain inside the bell. Water condensation and excess breath moisture can be drained from here.
  4. 5 V DC-IN/USB TO HOST terminal
    • Micro USB Type-B terminal.
      For connection to a USB power adaptor, USB mobile battery, or PC with a USB cable.
    • NOTICE
      • Use a USB A to micro B cable of less than 3 meters. Do not use a USB 3.0 cable.
  5. PHONES jack
    For connecting a pair of stereo headphones or other equipment with a mini stereo phone plug (3.5 mm). The instrument’s built-in speakers automatically stop producing sound when plugged in.

    •  Caution IconCAUTION
      • To prevent hearing loss, avoid using headphones at high volumes for extended periods of time.
      • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. This can cause permanent hearing loss.
  6. AUX IN jack
    For inputting the sound of an audio player and listening to it through the built-in speaker of the instrument (with a 3.5 mm, mini stereo phone plug). To adjust the input volume from the [AUX IN] jack, adjust the audio play- back volume on the audio device.

    • Caution Icon CAUTION
      • To avoid possible damage, first turn on the power for the external device, and then for the instrument. When turning off the power, first turn off the power for the instrument, and then for the external device. This can cause permanent hearing loss.
    • NOTE
      • Use an appropriate adaptor plug if the output jack of the audio device does not match the stereo mini phone plug of the audio cable.
      • Use audio cables and adaptor plugs that have no series resistors.
  7. [Power Button] (Standby/On) button
    Press this button to turn on the instrument.
  8. LED screen
    Displays information such as the Voice number in alphanumeric characters.
  9. VOICE [Voice Up Button]/[Voice Down Button] buttons
    Changes the Voice each time a button is pressed.
  10. VOL [-]/[+] buttons
    Raises or lowers the instrument volume each time a button is pressed. Press and hold a button to change the volume quickly.

    • Setting range: 0 to 15, od (Default: 13)
    • Press the VOL [-] button and VOL [+] button simultaneously to restore the default volume setting.
  11. [Fn] (Function) button
    Press specific keys while holding this button to call up various functions. This is also used to operate some functions.
  12. Power lamp
  13. Bluetooth lamp
  14. Strap ring
    Attach the included strap to this ring.

    • How to Attach the Strap
      Firmly attach the included strap to the ring. You can easily change the length of the strap to adjust it to a length that is easy for you to use. Yamaha YDS-150 Digital Saxophone - How to Attach the Strap
  15. Thumb hook
    Use this hook to support the instrument with your thumb when playing. Wrap your right thumb around the thumb hook to hold the instrument firmly.
  16. Analog controller
    Used to apply changes to the Voice.

Before Playing

Power Requirements

This instrument can be powered in one of the two ways listed below. Determine which you intend to use, and follow the
instructions for setting up.

NOTICE

  • If you connect the instrument to a commercially available USB power adaptor or USB mobile battery while batteries are in the instrument, priority is given to power from the USB cable.

Using batteries

This instrument requires four “AAA” size, alkaline (LR3) batteries or rechargeable nickel-metal hydride batteries (rechargeable Ni-MH batteries).

  1. Make sure that the power of the instrument is off. The power lamp (power lamp Button) will be off when the power is off.
  2. Place the instrument upside-down on a soft cloth and remove the battery cover.
  3. Insert the four new batteries, being careful to follow the polarity markings on the inside of the compartment. Yamaha YDS-150 Digital Saxophone - Insert the four new batteries

Remaining Battery Power

When the remaining battery power drops to about 5 or 10 minutes*, the POWER LED lamp (power lamp Button) flashes. Further-more, when there is almost no remaining power, the POWER LED lamp turns off and the instrument enters standby mode.

  • Varies depending on the usage environment.
    • NOTE
      • You should check the Power lamp frequently and take
        precautions that the battery does not run out during a
        performance.

Using a USB power adaptor or USB mobile battery (sold separately)

Connect the USB cable to a USB power adaptor or USB mobile battery (sold separately) in the order shown in the illustration. Follow the order shown here in reverse when disconnecting the USB cable. Yamaha YDS-150 Digital Saxophone - Using a USB power adaptor

Use only a USB power adaptor or USB mobile battery compatible with the USB standard for power supply.

Output voltage 4.8 V to 5.2 V
Output current 1.0 A or greater

Caution IconCAUTION

  • Before using a USB power adaptor or USB mobile battery, be sure to read the relevant pre- cautions.

Turning on the Power / Setting to Standby

Press the [Power Button

The power lamp (power lamp Button) is lit in red when the power is on. Adjust the volume as desired while blowing into the mouthpiece. Yamaha YDS-150 Digital Saxophone - Turning on the Power

 

Caution IconCAUTION

  • Do not use the instrument or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.

NOTICE

  • While turning on the power, do not attempt any other operations, such as blowing into the mouthpiece. Doing so may cause the instrument to malfunction.

Press and hold the [Power Button] (Standby/On) button for longer than one second to enable standby mode

 

Warning IconCAUTION

  • Even when in standby mode, an electric current is still flowing in the instrument at the minimum level. When you are not using the instrument for a long time, make sure to disconnect the USB power adaptor from the AC outlet, or remove the batteries from the instrument.

NOTE

  • If over 5 seconds elapses with no keys or buttons operated since the power was turned on, the LED display turns off. Simply operate any button or move the instrument to turn the LED display on again.

Enabling / Disabling Auto Power Off

To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns the power off if the instrument is not operated for a specified period of time (30 minutes). By default, it is set to On; however, this setting can be changed with the [Fn] button.

NOTICE

  • If your instrument is connected to other equipment such as amplifiers and speakers but you do not intend to use it for 30 minutes, we recommend that you turn off all devices as described in the corresponding owner’s manuals. Doing so eliminates the risk of damage to the other equipment. If you do not want the instrument to turn off automatically when connected to other equipment, disable the Auto Power Off function.

Adjusting the Instrument Volume

Adjust the volume.
The volume is increased by 1 each time VOL [+] is pressed. The volume is decreased by 1 each time VOL [-] is pressed. You can adjust the volume in a range of 0 to 15, od. The default value is 13. Yamaha YDS-150 Digital Saxophone - Adjusting the Instrument Volume

The “od” (overdrive) setting is the maximum volume, for the most powerful sound. Keep in mind that there may be distortion in the sound for specific Voices and in the lower ranges.

Initialization

Perform this operation when you want to reset all settings to their factory defaults.

  1. If the power is on, turn the power off.
  2. Turn the power on while holding keys [1], [p], and [3]. Yamaha YDS-150 Digital Saxophone - Initialization

Playing the Instrument

Mouth Shape

Position the mouthpiece in your mouth with your upper front teeth resting about 1cm from the tip of the mouth- piece. Cover your lower teeth with your lower lip to keep your teeth from coming into direct contact with the reed. Yamaha YDS-150 Digital Saxophone - Mouth Shape

With the reed resting on your lower lip, seal your mouth around the mouthpiece to keep air from leaking out of the corners of your mouth when blowing.
* Do not bite hard on the reed or mouthpiece. Yamaha YDS-150 Digital Saxophone - Mouth Shape 1

How to Play Sound

Put the mouthpiece into your mouth and blow. Blow strongly for a higher volume, and softly for a lower volume. There is no need to vibrate the reed like an acoustic saxophone.

NOTE

  • Unlike an acoustic saxophone, changing the degree to which the mouthpiece is inserted into the neck will not change the pitch of the sound.

Selecting a Voice

It is possible to select a Voice and tonality you like, such as an alto saxophone, tenor saxophone, etc.

Press VOICE [Voice Up Button]/[Voice Down Button].
The Voice number is displayed on the LED display. For
the Voice names, refer to the Voice List on page 19. Yamaha YDS-150 Digital Saxophone - Press VOICE

The display on the LED screen has the following meanings.

Alto sax Voices (in Eb)Alto sax Voices (in Eb)

Soprano sax Voices (in Bb)Soprano sax Voices (in Bb)

TTenor sax Voices (in Bb)enor sax Voices (in Bb)

Ba

Baritone sax Voices (in Eb)

Baritone sax Voices (in Eb)

Non-sax Voices (in C)Non-sax Voices (in C)

You You can select user Voices editedcan select user Voices edited in the dedicated app (page 14). For details, refer to the manual for the dedicated app.

Using the Analog Controller

The analog controller has functions assigned by default depending on the selected Voice.

  • Raising or lowering the pitch (Pitch Bend)
  • Applying vibrato to the sound. (Modulation)
  • Smoothing out the pitch slide between notes (Portamento)

For details about the functions assigned to the analog controller for each Voice, see the Voice List at the end of this document. Yamaha YDS-150 Digital Saxophone - Using the Analog Controller

NOTE

  • Portamento is a playing technique that smoothly slides the pitch of the performance up and down. When using a Voice with portamento assigned to it, move the thumb controller to smoothly change the pitch.

Changing Settings with the [Fn] Button

Press specific keys while holding the [Fn] button to perform settings for the various functions of the instrument.

Basic operations

Use the following procedure to perform settings for each function.

  1. While holding the [Fn] button, press the key to which the function is assigned. Hold the [Fn] button until you finish performing settings. If you release the button, the value at that moment is set and operation returns to the Voice selection screen. Yamaha YDS-150 Digital Saxophone - While holding the [Fn] button, press the key to which the function is assigned
  2. While holding the [Fn] button, press VOICE [Voice Up Button]/[Voice Down Button] and select the desired value. Yamaha YDS-150 Digital Saxophone - While holding the [Fn] button, press VOICE up or down
    • NOTE
      • Press both VOICE [Voice Up Button]/[Voice Down Button] buttons simultaneously to restore the value to the factory default.
  3. When you have finished selecting a value, release the [Fn] button.
    This will complete the setting and return the operation to the Voice selection screen.Yamaha YDS-150 Digital Saxophone - When you have finished selecting a value, release the [Fn] button

Turning the Bluetooth function on and pairing with your smart device

  1. Turn the Bluetooth function on.
    When it is on, the Bluetooth lamp (BT Button) will flash slowly. Perform pairing when you want to use Bluetooth Audio.
  2. While holding the [Fn] button, press the C key. This puts the instrument in pairing standby. Keep holding the [Fn] button.
    • LED screen: [B–] Pairing standby
    • LED screen: [—] Bluetooth function off
  3. While holding the [Fn] button, press the VOICE [Voice Up Button] button to begin pairing. 
    The LED screen will change to the following display and the Bluetooth lamp ( ) will flash rapidly. Yamaha YDS-150 Digital Saxophone - While holding the [Fn] button, press VOICE up

    • NOTE
      • To cancel the pairing, press the VOICE [ Voice Down Button]button.
  4. Select the connection on the smart device.
    Select [YDS-150 Audio] if handling audio.
  5. When pairing is complete, the Bluetooth lamp will switch from quickly flashing to staying on.
    If pairing fails, the Bluetooth lamp flashes slowly and the LED display changes to [B–].
  6. If five minutes elapse since starting pairing in Step 3, pairing fails.
  7. Release the [Fn] button.
    Operation returns to the Voice selection screen.

    • NOTE
      • While paired, the Bluetooth lamp stays lit up.
      • Depending on your smart device, audio can play at a high or uncomfortable volume level. Adjust the volume of your smart device before playing audio.

Using the Dedicated App

You can use the dedicated app for this instrument to perform settings for the functions of this instrument more conveniently.

  1. Install the dedicated app for this instrument on your smart device.
  2. Connect this instrument and your smart device via Bluetooth.

You can perform the following settings for this instrument on the app. For details, refer to the manual for the app.

  • Editing user Voices / editing fingering information / enabling and disabling Voice selection shortcuts, etc.

Instrument Maintenance after Playing

Before storing this instrument in its case, remove the mouthpiece from this instrument and wipe off any moisture near the bell and mouthpiece.

  1. Loosen the ligature screws and remove the reed and ligature from the mouthpiece. Yamaha YDS-150 Digital Saxophone - Loosen the ligature screws
  2. Hold the mouthpiece firmly and turn it from side to side to slide it off from the neck. Yamaha YDS-150 Digital Saxophone - Hold the mouthpiece firmly
    • NOTICE
      • When removing the mouthpiece, avoid applying a bending force to the neck base. Excessive force applied to the neck can damage it.
  3. Use a cleaning swab (sold separately) to clean the inside of the mouthpiece.
    • Be careful not to damage the tip of the mouthpiece.
    • Always keep the cleaning swab clean and dry. Yamaha YDS-150 Digital Saxophone - Use a cleaning swab
  4. Wipe the bell and keys with a dry, soft cloth.

Setting the Reed and Ligature

Slide the mouthpiece onto the body’s neck, turning from side to side. After attaching the mouthpiece, set the reed and ligature onto the mouthpiece.

NOTICE

  • The reed tip is delicate so please take care not to damage it with the ligature, etc. Yamaha YDS-150 Digital Saxophone - Slide the mouthpiece onto the body’s neck
  1. Slide the ligature onto the mouthpiece from its tapered end.
  2. Position the reed so that the edge of the mouth-piece is slightly visible over the reed tip. Tighten the two screws on the ligature to secure the reed in place.
    • Position the ligature so that the tuning fork logo is centered in the ligature’s open space. Yamaha YDS-150 Digital Saxophone - Position the reed

NOTICE

  • Use the dedicated mouthpiece set (mouthpiece, reed, ligature) included with this instrument. Failure to do so can result in sound not being produced properly or other malfunctions.
  • Tighten the ligature screws just enough to keep the reed from moving. Take care not to over-tighten.
  • Do not wash this instrument or the instrument interior with water. Doing so can result in damage to the instrument.
  • Do not apply grease to the instrument neck. Doing so can result in damage to the neck.
  • When the connection between the neck and the mouth-piece is getting looser, replace the O-ring with the included replacement one.
  • If over the course of use the tip of the reed is broken off or the reed becomes disfigured, replace it with the included replacement reed.

Troubleshooting

Sound does not stop.

  • Try turning the power on again.
  • Fluid remaining on the hole inside the mouthpiece joint may result in the sound not stopping. Remove fluid from the hole by using a slim cotton swab.

Specifications

  • Product name : Digital Saxophone
  • Voices : AWM Sampling
  • Bluetooth :
    • Bluetooth version: 4.2
    • Supported profile: A2DP
    • Complies with Bluetooth Low Energy MIDI Specification
    • Wireless output: Bluetooth Class 2
    • Maximum communication distance: About 10 m
    • Radio frequency (Operation frequency): 2,402 to 2,480 MHz
    • Maximum output power (EIRP): 4 dBm
    • Type of modulation: FHSS
  • Power supply :
    • USB AC adaptor: 5 V / 1 A
    • Self-powered USB hub: 5 V / 1 A
    • Four “AAA” size alkaline (LR3) or Ni-MH rechargeable (HR3) batteries
  • Power consumption : 4.5 W (when using a USB AC adaptor)
  • Auto Power Off : Yes
  • Size (W x D x H) : 699 mm (W) × 110 mm (D) × 103 mm (H)
  • Weight : 1.0 kg (not including batteries)

The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download the manual file.
Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.

For electrical and electronic products using batteries.

should not be mixed with general household wasteInformation for users on collection and disposal of old equipment and used batteries:
These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic products and batteries should not be mixed with general household waste. For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable collection points, in accordance with your national legislation.
By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling. For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.

These symbols are only valid in the European UnionFor business users in the European Union:
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

Information on Disposal in other Countries outside the European Union:
These symbols are only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal.

Note for the battery symbol (bottom two symbol examples):
chemical symbolThis symbol might be used in combination with a chemical symbol. In this case it complies with the requirement set by the EU Battery Directive for the chemical involved.

Important Notice:

For detailed information about this Yamaha product and warranty service, please either visit the following website address (printable file is available at our website) or contact Customer Service at the address or telephone number identified below.

Website Address:
https://usa.yamaha.com/support/warranty/index.html

Customer Service:
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA
90620-1273 Telephone: 800-854-1569

Voice List

Yamaha YDS-150 Digital Saxophone - Voice List 1
Yamaha YDS-150 Digital Saxophone - Voice List 2Yamaha YDS-150 Digital Saxophone - Voice List 3Yamaha YDS-150 Digital Saxophone - Voice List 4

Fingering Chart

 

Close ButtonClose

 

Open ButtonOpen

This chart shows typical fingerings for saxophones. The music notation is the written pitch, and not the concert pitch.

Yamaha YDS-150 Digital Saxophone - Fingering Chart 1Yamaha YDS-150 Digital Saxophone - Fingering Chart 2Yamaha YDS-150 Digital Saxophone - Fingering Chart 2

PHONES

Yamaha YDS-150 Digital Saxophone - PHONESMake sure the PHONES jack is facing up.

NOTICE
• Make sure that the PHONES jack is facing up when storing the instrument in the case. Failing to do so can cause damage to the keys.

4000517700

http://www.yamaha.com.cn

Manual Development Group
©2020 Yamaha Corporation
Published 07/2020
2020

VDH5520


Yamaha YDS-150 Digital Saxophone Instruction Manual – Optimized PDF
Yamaha YDS-150 Digital Saxophone Instruction Manual – Original PDF

References

 

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YAMAHA Keyboard Stand L-515 Manual https://itsmanual.com/yamaha/keyboard-l-515/ Sat, 09 Sep 2023 08:21:05 +0000 https://itsmanual.com/?p=217603 Read More...

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YAMAHA Keyboard Stand Instruction Manual

This Keyboard Stand is only for use with 88- keys Digital Pianos. To confirm whether your instrument is compatible with this stand or not, refer to the owner’s manual of your particular instrument.

CAUTION
Read these precautions carefully before you assemble or use the keyboard stand.

These precautions are to promote safe use of the stand and to prevent injury and damage from occurring to you and others.
By following these precautions carefully, you will be able to get long and safe usage from your keyboard stand.
Please keep this manual in a safe and handy place for future reference.

  • Be careful not to confuse any of the parts, and be sure to install all parts in the correct direction. Please assemble according to the sequence given below.
  • Assembly should be carried out by at least two persons.
  • Assemble the stand on a hard and flat floor with ample space.
  • Use only the screws provided when assembling the stand. Use of any other screws may result in an inadequate assembly that may cause damage to both the keyboard and the stand.
  • Use the stand only after assembly is complete.
    An incomplete assembly may result in overturning of the stand and damage to the keyboard.
  • Always place the stand on a flat, stable surface.
    Placing the stand on uneven surfaces may result in it becoming unstable or overturn, causing the keyboard to drop and possibly resulting in injury.
  • Do not use the stand for anything other than its designed purpose. The stand is not designed to hold anything other than the specified keyboard.
    Placing any object other than the specified keyboard on the stand may result in the object dropping or the stand overturning.
  • Do not apply excessive force to the keyboard as it may cause the stand to overturn or the keyboard to drop.
  • Make sure the stand is sturdy and safe, and all screws have been tight and firm before use. If not, the stand may overturn, the keyboard may drop, or may result in injury to the user.
  • To disassemble, reverse the assembly sequence given below.

NOTICE

  • Do not expose the stand in direct sunlight (outside or in a car during the day etc.) to prevent damage to the unit.

* The illustrations as shown in this Assembly Instructions are for instructional purposes only, and may appear somewhat different from those on your stand or keyboard.

Keyboard Stand Assembly

  • Have a Phillips-head (+) screwdriver ready.

The parts shown in the “Assembly Parts” illustration will be used. Follow the assembly instructions and select the parts as needed.

Assembly Parts

6 x 16 mm screws (12 pcs.)

  1. Attach A to B and C.

    Attach A using screws D.
    There are four threaded holes for attaching the pedal unit (sold separately) to this stand at the rear of A. When attaching A to B and C, the surface with the holes should be at the rear of the keyboard. Also, make sure that the non-colored surface is facing down.
    CAUTION:

    • Be careful not to drop the parts or touch the sharp metal fittings.
  2. Put the keyboard on the stand.

    Be sure to place your hands at least 15 cm away from either end of the keyboard and carefully place the keyboard on the side boards.
    CAUTION:

    • Be careful not to drop the keyboard or to get your fingers caught between the keyboard and the stand parts.
    • Do not hold the keyboard in any position other than the position shown in the illustration.
  3. Fix the keyboard to the stand.
    Slowly move the keyboard so that the holes on the bottom of the keyboard are properly aligned with the holes on the angle brackets, and then lightly tighten the screws D. With the holes properly aligned, finally tighten all screws securely.

When moving the instrument 

When moving the instrument after assembly, always lift it securely and do not drag it.

CAUTION:

  • When transporting or moving the instrument, always use two or more people.
    Attempting to lift the instrument by yourself may damage your back, result in other injury, or cause damage to the instrument itself.
  • When moving the instrument, make sure to grip it securely from the bottom and avoid putting your hands or fingers inside the screw hole indentations shown at right (which are not meant for holding the instrument). Doing so may result in injure your hands or fingers, or cause damage to the instrument itself

NOTICE

  • If the pedal unit (sold separately) is attached, loosen the long screws of the section attached to the stand and separate the pedal unit from the floor before moving the instrument. If not done, the floor may be damaged.

Post-assembly checklist 

Once you’ve assembled the stand, check the following points:

  • Are there any parts left over?
    • If so, read the assembly instructions again and correct any mistakes you might have made.
  • Is the instrument clear of doors and other movable fixtures?
    • If not, move the instrument to an appropriate location.
  • Does the instrument make a rattling noise when you play it or move it?
    • If so, properly tighten all screws.
  • Also, if the instrument makes a creaking noise or seems unsteady when you play it, refer carefully to the assembly instructions and diagrams and retighten all screws.

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YAMAHA Video Sound Collaboration System Huddle Rooms CS-700 Manual https://itsmanual.com/yamaha/video-sound-cs-700/ Sat, 09 Sep 2023 07:51:46 +0000 https://itsmanual.com/?p=217226 Read More...

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Video Sound Collaboration System for Huddle Rooms
CS-700

Always update the firmware to the latest version.
Please refer to the user’s manual that provides detailed information on how to use the product.
You can download the latest firmware and user’s manual from the following website: https://uc.yamaha.com/products/video-sound-bar/huddle-room-system/

Content

1 x CS700-AV, CS700-SP, CS700-DL, CS700-DS
1 x
4 x
1 x
1 x
CS700-DS
CS700-DL
1 x
1 x
1 x
2 x
2 x
Bracket installation

Install the bracket with 4 appropriate screws on the wall, spacing two pairs of screws as far apart as possible. Ensure that the bracket is tight to the wall or the spacers to avoid vibration. If installed below the display ensure that the distance is big enough to fit the CS-700 unit. You can adjust the depth of the installation by using the appropriate number of spacers (0-2) on each side. The maximum mounting height is 2m / 6’ 8” from the floor. Always use 4 screws.

Placing the CS-700 unit on the bracket

Position the CS-700 in such a way that the two hooks in the front of the bracket fit into the cavities on the lower part of the CS-700. Ensure that the CS-700 is safely held by the hooks.

Once the CS-700 is safely positioned on the hooks of the bracket, connect the power cable and the USB cable to the CS-700 as shown. If it is planned to manage the CS-700 using the web browser, also connect the network cable into the corresponding connector.
Secure the cable using the provided cable ties to the CS-700 unit.

Installing unit in Bracket

Once all cables are correctly connected and secured, tilt the CS-700 back on the bracket and push it to pack into the bracket.

Secure unit

Secure the CS-700 unit in the bracket with the provided machine screws.

Connect to power and computer

Connect the power cord to the power supply, and plug the power cord into a mains power connector. Connect the USB cable to a USB 3 (USB SuperSpeed) connector on the computer.

Select device

In your operating system select the “Yamaha AudioVideo Device” as your default audio playback and recording device.
In your unified communications application, select the CS-700 as the Video device.

Manage through IP interface

If an IP connection was made to the CS-700, the unit is configured to receive a DHCP address.
Press the two middle buttons (volume up / Bluetooth) for 5 seconds, and the system will speak the IP address that was assigned to it.

For more information, download the full documentation:
https://uc.yamaha.com/products/video-sound-bar/huddle-room-system/

Specifications

Power adapter
Model Number
Bluetooth Specifications
Bluetooth specification version 2.1 + EDR
Supported profiles HFP (1.6), A2DP
Supported Codecs SBC, mSBC, CVSD
Wireless output Class 2
Maximum communication distance 10 m
Radio frequency (Operational frequency) 2,402 MHz to 2,480 MHz
Maximum output power (EIRP) 4.0 dBm (2.5 mW)
Audio
Speaker Bar 4 Speaker elements with tweeter and mid-woofer on left and right
Speaker Frequency Response 160 – 20,000 Hz
Max SPL 90 dB at 1m
Microphones 4 microphone dynamic beamforming array with human voice activity
detection
Microphone Coverage 180 degrees audio pickup, best results within 12 feet / 3.60m
Microphone Frequency Response 160 – 16,000 Hz
Full Duplex Audio Yes
Echo Cancellation Ultra-wideband adaptive AEC
LED indicator Call activity and microphone mute/unmute
Video
Camera Sensor High Definition CMOS
Image resolution 1080p, 30 fps (USB 3.0/3.1)
640 x 360, 30 fps (USB 2.0)
Privacy Cover Digital privacy control
LED Indicators Camera activity and video stream mute/unmute
UVC Support UVC 1.5
Field of View 120 degrees diagonally
Interfaces
Mount Connector Wall Mount Bracket for above or below display mounting
USB Host Port USB with strain relief
Audio, video, HID and graphics display supported over USB 2.0 and
3.0/3.1
Ethernet RJ 45, 10M / 100M
Bluetooth® Yes.  HFP and A2DP support
Aux Audio Input 3.5mm Stereo
HDMI (2) (2) HDMI connectors on CS-700DL and CS-700DS models with Display
Link
SIP (-SP and –DS models only)
Call Handling Make, Answer, Hold, Resume, Transfer (Blind and Supervised),
Forwarding, Do not disturb, Redial, Call Timer, Call-ID, Speed Dial,
Missed Call Notifications, Voice Mail Notifications (Call Manager
configured)
Call Bridging Supports Bridging SIP and USB Calls. Join, Split, Hold, Resume, 2+1+1
Lines: Up to 2 SIP calls, 1 USB call, 1 Bluetooth® call, plus the user
Codecs G.711 (A-law and μ-law), G.722, G.726, G.729
DTMF Support RTP event, SIP in-band, SIP info package
Security SRTP/SRTCP Support (RFC 1889), IETF SIP support (RFC 3261 and
companion RFCs), SSIP, Password protected configuration files,
Password-protected login
Network & Provisioning DHCP or Static IP, Server Based Central Provisioning, Web Portal for
Individual Unit Configuration
Compliance
Safety IEC60065, IEC60950, IEC62368
EMC CISPR13/CISPR22/CISPR32/ FCC/J55013/ ETSI EN 300 328 / ETSI EN
302 291-2 / ETSI EN 300 330-2 EN55024/ CISPR24 or 35 and ETSI EN
301 489-1
Environmental RoHS, Reach, WEEE
Warranty
Global except for EU 1 Year return to factory
European Union 2 Year return to factory
Size, Weight, Power, Operating Temperature
Height 3.9in/98.75mm
Length 2.7in/68.5mm
Width 34.in/861.7mm
Weight (incl. bracket) 7.3 lbs/3.3kg
Input Voltage (power supply) 100-240 VAC
Input Current (power supply) 1A
Input Frequency (power supply) 50-60 Hz
Input Voltage (CS-700) 15V
Input Current (CS-700) 2.4A
Power consumption (max) 36 W
Power consumption (network stand-by) Stand-by time 1.6 W
Stand-by time 20 minutes (user selectable)
Power Cord Length 10ft/3m – Please order correct SKU for regional power cord requirements
Operating Temperature  32 to 104 °F (0 to 40 °C)
Storage Temperature -22 to 131 °F (-30 to 55 °C)
Operating / Storage Relative Humidity 20%-85% (non-condensing)
Maximum operating altitude 2,000m

Date code
The date code on the CS-700 label indicates when the product was manufactured. The first digit indicates the year.

First digit   Calendar year
7 2017
8 2018
9 2019
0 2020
1 2021

The second and third digits indicate the calendar week in that year – from 01 at the beginning of the year to 52 (or 53).

Important Notice: Precautions and legal information for customers in European Economic Area (EEA), Switzerland, and Turkey

Precautions and legal information:
For detailed precaution and legal information about this Yamaha product for customers in EEA*, Switzerland, and Turkey, please visit the website address below or contact the Yamaha representative office in your country.
* EEA: European Economic Area

Important Notice: Guarantee Information for customers in EEA* and Switzerland
For detailed guarantee information about this Yamaha product, and Pan-EEA* and Switzerland warranty service, please either visit the website address below (Printable file is available at the website) or contact the Yamaha Unified Communications representative office for your country.
* EEA: European Economic Area

https://uc.yamaha.com/warranty

For details of products, please contact your nearest Yamaha representative or the authorized importer listed below.

North America
Yamaha Unified Communications, Inc.
144 North Road, Suite 3250, Sudbury, MA
01776, USA
Tel +1-800-326-1088

© Yamaha Corporation. All Rights Reserved.
Published 07/2018
Printed in China
QS-CS700-201807-MUL / 2950267-00

Manufacturer: Yamaha Unified Communications, Inc.
Address: 144 North Road, Suite 3250
Sudbury, MA 01776, USA

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YAMAHA Wall Mounted Speaker Brackets bws 251400 Manual https://itsmanual.com/yamaha/bws-251400-brackets/ Fri, 08 Sep 2023 18:09:41 +0000 https://itsmanual.com/?p=216335 Read More...

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YAMAHA Wall Mounted Speaker Brackets Instruction Manual

Precautions

  • This speaker bracket is for a speaker than weighs no more than 30 kg.
  • Make sure that the surface this bracket is being mounted on has the strength to handle the weight of the speaker and this bracket.
  • Use bolts, nuts, and washers for installation and tighten them down firmly so that the speaker does not move. After completing the installation, always double check the installation one more time for safety’s sake.
  • Always loosen the corresponding screw before adjusting the angle or direction of the speaker. Never force this adjustment with the screw still tightened down.
  • Yamaha can not assume any responsibility whatsoever for any damage caused by such incidents as the speaker falling due to an improper installation method or location.
  • We recommend that you consult a carpenter or other qualified professional before installing the speaker bracket.

Assembly Drawing

Installation Procedure

  1. Remove the 2 fixing bolts from the speaker. Using those 2 bolts, attach the base plate to the speaker and tighten the bolts to secure firmly. (Figure 1).

                                        Figure 1. 
  2. After removing the nut and bolt that hold the two sections of the bracket together, use six sets of M8 bolts and nuts and 12 washers to install the wall installation fixture on an adequately strong wall. lighten the nuts and bolts firmly. (Figure 2) Always double check that the wall is strong enough to handle the weight of the speaker and the bracket. We recommend that the wall bracket be Installed during construction of the structure or room. If the bracket is to be installed on an existing wall, additional construction will be necessary. Please consult a carpenter or other qualified professional and check the wall’s construction making sure that it is adequately strong.
    Warning: The M8 bolts and nuts and washers used to attach the speaker bracket to the wall are not supplied. Please furnish bolts, along with nuts and washers, that are of sufficient length for the wall’s thickness.
  3. Mount the fixture to which the speaker has been fastened on the wall installation fixture so that washers come to the fastening nut (bottom) as shown in Figure 3. Next, firmly tighten the nut and bolt that hold the two sections of the bracket together. To set the vertical direction for the speaker, loosen the two M8 angle adjustment screws, adjust the angle, then tighten the screws back down again. Do not force the adjustment with the screws still tightened.
    Warning: Since the angle adjustment screws may come out altogether if they are loosened too far, loosen them only the bare minimum necessary for adjusting the angle.

    When passing the speaker cord in from the rear side of the wall, use the speaker cord hole in the installation fixture (Figure 4).
    Warning: If your speaker’s owner’s manual Instructs you to install the speakers at specific angles, please follow those instructions when attaching the bracket.

Dimension

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YAMAHA Sound Bar C200 Manual https://itsmanual.com/yamaha/sound-bar-c200/ Sat, 05 Aug 2023 17:26:31 +0000 https://itsmanual.com/?p=186992 Read More...

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YAMAHA Sound Bar

Thank you for purchasing this Yamaha product.

  • To use this product properly and safely, read this Quick Start Guide and the supplied booklet “Safety Brochure” before using the unit.
  • After reading this document and the Safety Brochure, be sure to keep them in a safe place where they can be referenced at any time.

About this Quick Start Guide
This document provides step-by-step instructions for installation and playback. Refer to the User Guide on the Yamaha website for more information. Visit the following website to see the latest User Guide.

Supplied accessories

Make sure you have received all of the following accessories.

  • Quick Start Guide (this booklet)
  • Safety Brochure
  • NOTE: An HDMI cable is not included with this sound bar. Please consider length when purchasing this cable separately.

Preparing the remote control

Remove the battery insulating strip before attempting to use the remote control.

NOTE
A Lithium battery (CR2025) has already been inserted into the remote control.

Operating range of the remote control

Use the remote control within the range shown in the following illustration.

Installing the sound bar

Installed on a TV standWall-mounted

Refer to the User Guide. When installation and all connections are complete, power off sound bar and hold down BASS EXT on the sound bar’s remote control for at least five seconds. The frequency characteristics are configured for wall mount installation.

Connecting a TV

Depending on the type of TV, connect the TV to the sound bar as follows:

Is your TV equipped with an HDMI jack labeled as “ARC?”
                  Yes                                                No

Connect the TV using an ARC-compatible HDMI cable (sold separately).Connect the TV using an HDMI cable (sold separately) and digital optical audio cable (supplied). Be sure to use both cables to connect the TV.

NOTE

  • When the sound bar is connected to a TV via HDMI cable, confirm that the TV’s settings are properly configured as follows:
    • The TV’s HDMI Control function is enabled.
    • The TV’s audio output is set to ARC. (When an ARC-compatible TV is used.)
  • The TV’s HDMI Control function allows for controlling the following functions using the TV’s remote control:
    • Turn the power on and off Both the TV and the sound bar turn on/off at the same time.
    • Volume adjustment The sound bar’s volume can be adjusted when the TV’s audio output is set to the sound bar.

Connecting the TV using only the digital optical audio cable (supplied)

When the HDMI Control function is not used or the TV is not equipped with an HDMI input jack, connect the TV as follows:

Connecting to power

After all connections are complete, connect the sound bar to power as follows:

Playing TV sound through the sound bar

  1. Turn on the TV.
    When the TV is connected to the sound bar using an HDMI cable and the HDMI Control function of the TV is enabled, the sound bar will also turn on. In this case, go to Step 4.
  2. Turn on the sound bar. Press the z button on the remote control, or touch z on the sound bar.
  3. Press TV.
  4. Press VOLUME (+/−) to adjust the volume.
Adjusting the sound to your preference

Listening modes based on video or audio content (Sound mode)
The following sound modes allow you to further enhance audio performance. Select the sound mode according to your content and individual preference:
STANDARD
This sound mode is the best suited for general content, such as sports, sitcoms, and reality shows. Surround playback is performed.
MOVIE
This sound mode is the best suited for movies. Surround playback is performed.

GAME
This sound mode is the best suited for video games. Surround playback is performed.
STEREO
2-channel stereo playback. Enhance human voices (Clear Voice) Human voices can be easier to hear when Clear Voice is enabled. The function is recommended for movies or dramas that use a lot of background music and sound effects. Press CLEAR VOICE to enable or disable this feature.

  • Flashes three times: enabled
  • Flashes one time: disabled

Enjoying enhanced bass sound (Bass Extension)
Bass sound is enhanced and becomes more powerful when the Bass Extension feature is enabled. Press BASS EXT to enable or disable this feature.

NOTE: The default settings are as follows: Sound mode: STANDARD Clear Voice: Disabled Bass Extension: Enabled.

Listening to audio from a Bluetooth® device

Audio content from a Bluetooth device (such as a smartphone) can be played through the sound bar.

  1. Press BLUETOOTH to switch the input source to Bluetooth.
  2. On the Bluetooth device, enable the Bluetooth function.
  3.  Select your product displayed within the list. “Yamaha ATS-C200” or “YamahaAV” is displayed within the list.
  4. Play audio content on the Bluetooth device. The sound bar will begin playing audio from the Bluetooth device.
    NOTE

    • The sound bar can be connected to two Bluetooth devices simultaneously (multipoint connection).
    • Two Bluetooth devices cannot be played simultaneously. You will need to stop playback on the Bluetooth device and then start playback on the other Bluetooth device.

Controlling the sound bar with the app

By installing the free dedicated app “Sound Bar Remote” on a mobile device (such as a smartphone), the sound bar can also be controlled from the mobile device. Search for “Sound Bar Remote” on the App Store or Google Play and install it on the mobile device.

The main app functions are as follows:

  • Turn the power on/off, select an input source, adjust the volume, and adjust subwoofer volume
  • Switch between sound modes
  • Enable or disable the Bass Extension and Clear Voice features
  • Change the brightness of the indicators on the front of the sound bar (Dimmer)
    NOTE
  • To control the sound bar using the app, configure the settings on your mobile device as follows:
  • Enable the Bluetooth function.
  • For Android devices, configure the settings to allow location information to be obtained. The Sound Bar Remote app only uses location information from the Android device to detect the sound bar. Your personal information will not be collected.
  • This sound bar is only compatible with the Sound Bar Remote app. The sound bar cannot be controlled using other apps (such as Sound Bar Controller).

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YAMAHA Integrated Amplifier A-S2200 Manual https://itsmanual.com/yamaha/a-s2200-amplifier/ Fri, 04 Aug 2023 10:08:48 +0000 https://itsmanual.com/?p=184884 Read More...

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YAMAHA Integrated Amplifier Owner's Manual

Thank you and congratulations on your purchase of this Yamaha product. · You can enjoy the high-quality stereo sound of this integrated amplifier at home. · To use the product properly and safely, we suggest that you read this manual and the “Safety Brochure” thoroughly.
Keep the manual in a safe, accessible place for future reference.

Features

◆ Floating balanced circuit for power amplifier
◆ Fully-balanced transmission from input to output
◆ Tone control circuit with a parallel volume system
◆ Large power supply with four separate circuits
◆  Left-right symmetrical design
◆ Fully discrete phono amp
◆ Low-impedance, high-performance headphone amp

Things to know before using this product

About this manual
  • This manual describes the unit’s features and connection procedures.
  • The illustrations as shown in this manual are for instructional purposes only.
  • Specifications and appearance are subject to change without notice.
  • WARNING” describes precautions to be followed to avoid the possibility of serious injury or even death.
  • CAUTION” describes precautions to be followed to avoid injury.
  • NOTICE” describes precautions to be followed to avoid malfunction or damage to the product.
  • Note ” describes supplemental information about the product.
Supplied accessories

Please make sure that the following accessories are included in the package.

  • Remote control
  • Batteries (AAA, R03, UM-4) (×2)
  • Power cable*
  • Owner’s Manual (this book)
  • Safety Brochure
    * Multiple power cables might be included in the package depending on the area of distribution. Please use the one that is appropriate for your AC outlet.

Part Names and Functions

This section lists the names and describes the function of various parts on the front and rear panels, and the remote control.

Front panel

(1) (Power) switch/indicator

While the (Power) switch is in the up position, press the AMP key on the remote control repeatedly to switch the power to the unit between on and standby mode. In addition, under either of the following conditions, the unit will enter standby mode.

  • If the Auto Power Standby function is enabled. (→ page 10)
  • If you turn off the power to a device that has been set to trigger connection to this unit. (→ page 20)

NOTICE
If you plan not to use the unit for an extended period of time, be sure to unplug the power plug from the AC outlet. Even when the power is turned off, a minimal amount of electric current is still flowing to the unit.

Note

  • After you turn on the unit, it will take a few seconds before the unit can reproduce sound.
  • Do not turn on the power to this unit again within 10 seconds after the power has been turned off. Doing so may generate noise.
  • While the unit is in standby mode, to turn on power to the unit first set the (Power) switch to the down position to turn the power off, then set the switch to the up position.
  • While the unit is in standby mode, if you unplug the power cable from the AC outlet and then plug it in again, the power to the unit will be turned on.

(2) Remote control sensor
Receives signals from the remote control. (→ page 14)
(3) PHONES jack
Connect your headphones here.
Note

  • Connecting the headphones here will result in the following:
    – No sound will be heard from the connected speakers.
    – Audio signals will not be output at the PRE OUT jacks.
    – You will be unable to select MAIN DIRECT as the input source.
  • If MAIN DIRECT is selected as the input source, audio signals will not be output at the PHONES jack.

(4) TRIM selector
Switches the headphone amp gain. Select the gain setting that is appropriate for your headphones.
Available gain: -6 dB, 0 dB, +6 dB, +12 dB

(5) SPEAKERS selector
Switches sets of speakers connected to the SPEAKERS L/R CH A and B terminals on the rear panel as follows:
OFF: No audio signals will be output from the speakers.
A: Audio signals will be output from the set of speakers connected to the A terminals.
B: Audio signals will be output from the set of speakers connected to the B terminals.
A+B BI-WIRING: Audio signals will be output from the sets of speakers connected to the A and B terminals. Select this position when you plan to make a bi-wired connection. ( →page 19)

NOTICE
[Model for Asia] If you connect two sets of speakers (A+B), use the speakers with an impedance of 12 or higher.
[Other models] If you connect two sets of speakers (A+B), use the speakers with an impedance of 8 or higher.

(6) METER selector
Switches the meter function as follows:
OFF: Turns off meter operation and display illumination.
PEAK: Switches the meter display type to a peak level meter. The peak level meter shows the highest instantaneous level of an audio output signal.
VU: Switches the meter display type to a VU (Volume Unit) level meter. The VU level meter shows an effective audio output value that represents the way sound is perceived by human ears.
DIMMER: When selected, the DIMMER automatically changes the brightness of the meter display in steps. When you see the brightness level you desire, switch to another setting parameter to lock in the new brightness setting.
(7) Meter (LEFT/RIGHT)
Indicates the audio output level of the left (LEFT) and right (RIGHT) channels.

Front Panel

(8) BASS control
Adjusts the volume level of the bass range.
Adjustable range: -10 dB ­ 0 ­ +10 dB
(9) TREBLE control
Adjusts the volume level of the treble range.
Adjustable range: -10 dB ­ 0 ­ +10 dB
(10) BALANCE control
Adjusts the audio output balance between the left and right speakers to compensate for sound imbalances caused by speaker locations or listening room conditions.
Note

  • If both BASS and TREBLE controls are set to 0 (zero), the audio signal will bypass the tone control circuit.
  • The BASS, TREBLE, and BALANCE control settings will not affect the input signals at the MAIN IN jacks nor the output signals at the LINE 2 OUT jacks.

(11) INPUT selector/indicator
Selects the input source. The indicator for the selected input source lights up. Audio signals of the selected input source will be output at the LINE 2 OUT jacks.
MAIN DIRECT: Selects the component connected to the MAIN IN jacks as the input source.
LINE 1/LINE 2: Selects the component connected to the LINE 1 or LINE 2 jacks as the input source.
BAL: Selects the component connected to the BAL input jacks as the input source.
CD: Selects the CD player connected to the CD input jacks as the input source.
TUNER: Selects the tuner connected to the TUNER input jacks as the input source.
PHONO: Selects the turntable connected to the PHONO input jacks as the input source.

Note

  • If MAIN DIRECT is selected as the input source, audio signals will not be output at the PRE OUT, LINE 2 OUT or PHONES jacks.
  • If LINE 2 is selected, audio signals will not be output at the LINE 2 OUT jacks.

(12) PHONO switch
Set this switch to the MM or MC position according to the type of magnetic cartridge of the turntable connected to the PHONO input jacks on the rear panel.
Note
Before you replace the cartridge for the turntable, be sure to turn off the power to this unit.

(13) Feet
If the unit is unstable, adjust the height of the feet as needed by rotating them.

(14) AUDIO MUTE switch/indicator
Press this switch to reduce the current volume level by approximately 20 dB. The indicator will light up. Press again to restore the audio output to the previous volume level. The indicator will turn off.

(15) VOLUME knob
Adjusts the volume level. This setting will not affect the output level at the LINE 2 OUT jacks.

NOTICE
If you select MAIN DIRECT as the input source for this unit, the volume level will be fixed. In this case, to adjust the volume level, use the volume control on the external amplifier connected to the MAIN IN jacks.

Rear panel

(1) BAL (balanced) input jacks
Note
Set the ATTENUATOR selector and PHASE selector appropriately for the playback component that is connected to these jacks. ( page 20)

(2) PRE OUT jacks
Note

  • Audio signals output at the PRE OUT jacks are the same channel signals that are output at the SPEAKERS L/R CH terminals.
  • The following parameter settings are effective for audio signals output at the PRE OUT jacks.
    – BASS
    – TREBLE
    – BALANCE
    – VOLUME

(3) AUTO POWER STANDBY switch
ON: The unit enters standby mode automatically if it is left turned on and not operated for eight hours (Auto Power Standby function).
OFF: The unit does not enter standby mode automatically.

(4) TRIGGER IN jack
Connect external components that support the trigger function. ( →page 20)

(5) REMOTE IN/OUT jacks
Connect external components that support the remote function. ( →page 21)

(6) SERVICE jack
This jack is used to test the product.

(7) SPEAKERS L/R CH terminals
(8) TUNER input jacks

(9) PHONO input jacks
(10) CD input jacks
(11) GND (Ground) terminal
If you connect your turntable to this unit, ground it to the GND terminal. Doing so may reduce noise.

CAUTION

Do not loosen the GND terminal knob excessively. Otherwise, the knob may come off and a child may swallow it accidentally.
Note
This is not a safety ground.
(12) LINE 1 input jacks
(13) LINE 2 jacks
Connect external components that feature analog audio in/out jacks.

(14) MAIN IN jacks
Connect external components that feature a volume control function so that you can use this unit as a power amplifier.
NOTICE
If you select MAIN DIRECT as the input source for this unit, the volume level will be fixed. In this case, to adjust the volume level, use the volume control on the external amplifier connected to the MAIN IN jacks.

(15) AC IN jack
Connect the supplied power cable here. (→ page 22)

Remote control

(1) Infrared signal transmitter
Outputs infrared control signals toward the unit. (→ page 14)
(2) AMP key
Turns on the power to the unit or switches it to standby mode. (→ page 6)
(3) Input select keys
Select the input source. Audio signals of the selected input source will be output at the LINE 2 OUT jacks.
BAL: Selects the component connected to the BAL input jacks as the input source.
LINE 1/LINE 2: Selects the component connected to the LINE 1 or LINE 2 jacks as the input source.
PHONO: Selects the turntable connected to the PHONO input jacks as the input source.
MAIN DIRECT: Selects the component connected to the MAIN IN jacks as the input source.
CD: Selects the CD player connected to the CD input jacks as the input source.
TUNER: Selects the tuner connected to the TUNER input jacks as the input source.
Note

  • If MAIN DIRECT is selected as the input source, audio signals will not be output at the PRE OUT, LINE 2 OUT or PHONES jacks.
  • If LINE 2 is selected, audio signals will not be output at the LINE 2 OUT jacks.

(4) VOLUME +/- keys
Adjust the volume level. This setting will not affect the output level at the LINE 2 OUT jacks.

NOTICE
If you select MAIN DIRECT as the input source for this unit, the volume level will be fixed. In this case, to adjust the volume level, use the volume control on the external amplifier connected to the MAIN IN jacks.

(5) MUTE key
Press this key to reduce the current volume level by approximately 20 dB. Press the key again to restore the previous volume level.

(6) Tuner control keys
Control the functions of a connected Yamaha tuner. For more information, refer to the owner’s manual for your tuner.
(7) CD player control keys
Control the functions of a connected Yamaha CD player. For more information, refer to the owner’s manual for your CD player.
⩠ OPEN/CLOSE key: Opens or closes the disc tray of a connected CD player. CD key: Turns on the power to a connected CD player, or switches it to standby mode.
►(Play): Starts playback of the CD player.
(Pause): Pauses playback of the CD player. Press or to resume playback. ■ (Stop): Stops playback of the CD player.
(Skip): Skips to the next track, or returns to the beginning of the current track.
SOURCE key: Selects the source to be played on the CD player. The playback source changes each time this key is pressed.
LAYER key: Toggles the playback layer of a hybrid super audio CD between “Super audio CD” and “CD.”
Note
Some Yamaha tuners or CD players might not support the tuner or CD player control keys.

■ Installing batteries in the remote control

1 Remove the battery compartment cover.

2 Insert two batteries (AAA, R03, UM-4)
according to the polarity markings (+ and -) on the inside of the battery compartment.

3 Reinstall the battery compartment cover.

■ Operating the remote control

Operate the remote control in the range shown below by pointing it toward the remote control sensor on the front panel of the unit.

Connections

This section explains how to connect the unit to speakers and audio source components.

Connection diagram

CAUTION
Be sure to complete all connections before plugging in the power cable to an AC outlet. ( → page 22)

NOTICE
If a component is connected to the MAIN IN jacks, the unit’s volume level will be fixed. Therefore, do not connect a CD player or other components that do not feature volume adjustment to the MAIN IN jacks. Otherwise, a loud sound may be emitted, resulting in malfunction of the unit or damage to the speakers.

Note

  • Because this power amplifier is of the floating balanced type, the following connections are not possible. – Connecting between two “+” (or two “-“) terminals of the left and right channels (Fig. 1).
    – Connecting each “-” terminal of the unit’s left and right channels to the opposite channel speakers (cross connection, Fig. 2).
    – Connecting the left/right channel “-” terminals (or accidentally allowing them to come in contact) with the metal part of the rear panel of this unit.

  • Do not connect an active subwoofer to the SPEAKERS L/R CH terminals. Connect the subwoofer to the unit’s PRE OUT jacks.
Connecting speakers
■ Using speaker cables

1 Remove approximately 10 mm of insulation
from the end of each speaker cable, and twist the exposed wires together tightly to prevent short circuits.

2 Unscrew the knob on each speaker terminal, and then insert the bare wire into the side hole on the terminal.

3 Tighten the knob.

CAUTION

  • Do not loosen the knob excessively. Otherwise, the knob may come off and a child may swallow it accidentally.
  • To reduce the risk of electric shock, do not touch the speaker terminals while the power to the unit on.

NOTICE

  • If the SPEAKERS terminals come into contact with a metallic rack, a short circuit may occur, resulting in damage to this unit. When installing the unit in a rack, maintain a sufficient clearance to prevent the SPEAKERS terminals from coming into contact with the rack.
  • Do not let the bare speaker wires touch each other, nor let them touch any metal part of this unit. Otherwise, the unit and/or the speakers may be damaged.

Note
All connections must be correct: L (left) to L, R (right) to R, “+” to “+”, and “-” to “-“. For information regarding the connection procedure, refer to the owner’s manual for your speakers.

■ Using banana plug cables

(Models for U.S.A., Canada, Australia, China, and Taiwan)

First tighten the knob on the SPEAKERS terminal, and then insert the banana plug into the head of the knob.

■ Using Y-shaped lug cables

1 Unscrew the knob, and then sandwich the Y-shaped lug between the ring part and base of the terminal.


2 Tighten the knob.

Bi-wired connection

A bi-wired connection separates the woofer from the mid and high ranges. Speakers that support bi-wired connection feature two pairs of terminals (total four terminals). These two pairs of terminals can divide the speakers into two independent parts. To make this kind of connection, you need to connect mid and high range drivers to one pair of terminals, and low range drivers to the other pair of terminals.
1 Remove the shorting bars or bridges on the speakers.
2 Connect this unit to the speakers as shown in the figure below.

An example of left channel connection

3 Set the SPEAKERS selector on the front panel to A+B BI-WIRING.

Balanced connection

You can connect a CD player or network player that features XLR-type balanced output jacks to the BAL input jacks of this unit. Use XLR-type balanced cables for this connection.
ATTENUATOR selector: Enables you to set the allowable input level at the balanced input jacks. Select ATT. (-6 dB) if the audio output from the connected component sounds distorted.
PHASE selector: Enables you to set the position (phase) of the HOT pin (pin #2: HOT or pin #3: HOT) at the balanced input jacks.

Refer to the instruction manual for the connected component to find out the position of the HOT pin at the balanced output jacks on the component.

Note

  • Select NORMAL (pin #2 is HOT) for a Yamaha player.
  • Do not use balanced and unbalanced connections for one component simultaneously. Doing so would create a ground loop that could generate static and noise.
  • When connecting a cable, be sure to align the pins on the connector with the holes on the jack, and then insert the male XLR connector into the jack until you hear a click. To remove the cable, while pressing and holding down the lever on the BAL input jack, pull out the male XLR connector from the jack.

* For a balanced connection, select BAL as the input source.

Trigger connection

You can connect a Yamaha AV receiver or other component that supports the Trigger function. You can control this unit in sync with a connected component.
When the power to the connected component is turned on, the power to this unit is also turned on. Simultaneously, the input source to the unit is set to MAIN DIRECT. If MAIN DIRECT has been selected as the input source for this unit, when the power to the connected component is turned off, this unit will enter standby mode.
Note
When the power switch on this unit is turned Off, the power to the unit will not be triggered.

Remote connection
■ Operating the unit from another room

If you connect a commercially-available infrared receiver and transmitter to the unit’s REMOTE IN/OUT jacks, you will be able to operate the unit and/or external component from another room, using the supplied remote control.

■ Remote connection between Yamaha components

If you have another Yamaha component that supports remote connections, an infrared transmitter is not necessary. Connect an infrared receiver to the unit’s REMOTE IN/OUT jacks, as shown below. Up to 3 Yamaha components (including this unit) can be set up for remote connection.

Connecting the power cable

After all connections are complete, plug the power cable into the AC IN connector of the unit, and then plug the power plug into the AC outlet.

Appendix

This section lists technical specifications for this unit.

Specifications

* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website and download the manual file.

Block diagram

Acoustic characteristics
■ Tone control characteristics

■ Total harmonic distortion

■ Total harmonic distortion (PHONO)

Troubleshooting

Refer to the table below if this unit does not function properly. If the instructions below do not help, or if the problem you are experiencing is not listed below, turn off the unit, disconnect the power plug, and contact the nearest authorized Yamaha dealer or service center.

YAMAHA Integrated Amplifier Owner’s Manual - TroubleshootingYAMAHA Integrated Amplifier Owner’s Manual - Troubleshooting

Maintenance

Mirror-finish side panels
We recommend that you use a cleaning cloth such as those made for pianos.

Other surfaces
Do not use chemical agents, such as benzene or thinner for cleaning. Otherwise, the surfaces might be damaged. Wipe the surfaces using a soft dry cloth.

YAMAHA CORPORATION
10-1 Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650 Japan

Yamaha Global Site
https://www.yamaha.com/

Yamaha Downloads
https://download.yamaha.com/

Manual Development Group
© 2020 Yamaha Corporation
Published 01/2020
IPEM-A0
UL VCV3030

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YAMAHA Electric Guitars Manual https://itsmanual.com/yamaha/electric-guitars/ Fri, 28 Jul 2023 10:13:32 +0000 https://itsmanual.com/?p=179574 Read More...

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YAMAHA Electric Guitars Owner’s Manual

Introduction

Thank you for purchasing a Yamaha electric guitar.In order to obtain maximum performance and enjoyment from this instrument, we urge you to read this Owner’s Manual thoroughly before using the instrument. After read, we recommend that you keep it in a convenient place for future reference.

Information for Users on Collection and Disposal of Old Equipment and used Batteries

Dustbin Icon These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic products and batteries should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC and 2006/66/

By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.

For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.

[For business users in the European Union]
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

[Information on Disposal in other Countries outside the European Union] These symbols are only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal.

Note for the battery symbol (bottom two symbol examples):
This symbol might be used in combination with a chemical symbol. In this case it  complies with the requirement set by the Directive for the chemical involved.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference.

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

Water warning

  • Do not expose the instrument to rain, use it near water or in damp or wet conditions, place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings.

Battery

  •  Follow the precautions below. Failure to do so might result in explosion, fire, overheating or battery fluid leakage.
    •  Do not tamper with or disassemble batteries. Do not dispose of batteries in fire.
    •  Do not attempt to recharge batteries that are not designed to be charged.
    •  Keep the batteries separate from metallic objects such as necklaces, hairpins, coins, and keys
    • Use the specified battery type only.
    • Use new batteries, all of which are the same type, same model, and made by the same manufacturer.
    •  Always make sure all batteries are inserted in conformity with the +/- polarity markings.
    • When the batteries run out, or if the instrument is not to be  used for along time, remove the batteries from the instrument.
  • Keep batteries away from small children who might accidentally swallow them.
  •  If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

Location

  • To avoid damage to your instruments wood, finish, or electronic components, DO NOT expose this instrument to direct sunlight, high temperatures/humidity or leave stored in an automobile.
  • Do not use close to electronics such as speakers, TV, and radio. The
    instrument’s electronic circuits may cause noise in the TV or radio.
  • Do not place the instrument in an unstable position where it  might accidentally fall over.

Connections

  • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.
  •  To prevent the possibility of electrical shock or fire, we  recommend using great caution when using this instrument in high humidity or wet weather environments. We also recommend that you read all Owner’s Manuals for the external equipment that you connect this  musical instrument to.

Handling caution

  • Never hold the instrument close to your face when adjusting or replacing strings. A string may unexpectedly break damaging your eyes
  • If you cut the strings when replacing, do so after sufficiently loosening the pegs. Sudden loss of string tension may damage the neck and the rebounding strings may cause serious injury.
  • After changing the strings, cut off the leftover string ends. String ends are sharp and can cause injuries.
  • To avoid injury when cleaning this instrument, beware of sharp string ends.
  •  When using a strap, make sure the strap is securely attached to the guitar.
  •  Do not lift the guitar by strap. It can cause serious injury or damage to the guitar.
  •  Do not treat the instrument in a rough manner such as swinging it about, etc. The strap on the guitar may detach causing unexpected accidents such as the instrument dropping, etc., or injuring persons close by.
  •  In the following situations, a strap can easily slip off from the strap pins.Take extra care to avoid:
    •  a twisted strap
    •  sudden body movements
    •  a worn out strap
  •  If cleaning is required, wipe with a soft cloth. Do not use thinners, solvents, cleaning fluids, or wipes soaked with chemicals. Also. Do not place vinyl or plastic products on the instrument. Doing so can cause discoloration/deterioration.
  •  Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or  connectors.

Note : Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument.

Make sure to discard used batteries according to local regulations

Be Careful When Handling and Other Cautions
  • The guitar has been properly adjusted before being shipped from the factory. In the event adjustment is necessary, contact the dealer from whom you purchased the instrument, if possible, as special skills may be required. For those adjustments that can be performed by the  owner, please closely follow the instructions given in the Owner’s  Manual for the procedure.
  • When playing the instrument, pay attention to the volume level. Especially late at night, take neighbors and those who are close by into consideration.
  •  Broken guitar necks are mostly the result of accidents such as dropping the guitar, the guitar falling over, or from shocks  occurred during transport. When the guitar is not being used, make sure it is kept on a sturdy stand where it won’t fall over, or place it in its case.
Correct Use and Handling of Batteries


  •  When changing batteries, pay close attention to the +/- polarity markings as shown in the illustration above.
  •  Use only a DC9V, S-006P (6LR61 or 6F22) or equivalent battery.

TUNING MACHINE TENSION ADJUSTMENT

The tuning machines have spring-loaded mechanisms which automatically take up wear, preventing backlash. However, it is possible to adjust the amount of pressure required to turn the machines. Each machine has a tension adjustment screw, as illustrated.

Clockwise screw rotation tightens the machine. The tuning machines should be adjusted to the extent that they are firm, but  can turn smoothly. This adjustment is normally unnecessary, and excessive tightening can lead to premature tuning machine wear.

HEIGHT ADJUSTABLE LOCKING NUT (If applicable)

  1.  Remove the three hexagonal screws (A) that fix the Lock Pads.
  2.  Loosen the four screws (B) that attach the Nut Base to the neck.
  3. Adjust the height by the two Height Adjustment Screws (C). The Nut Base gets higher by clockwise rotation, and lower by counterclockwise rotation.
  4. After adjusting, tighten the four screws (B).

NOTE:As the height has been adjusted in the best condition in the factory, please avoid the adjustment unless you have suitable experience. We suggest that you entrust this adjustment to your dealer.

SETTING THE STRING ACTION

— Bridge —

NOTE:Be sure to perform any necessary adjustments to the truss rod before performing the following adjustments.

String height refers to the space between the strings and frets, and has an affect on playability.
String height is adjusted with the bridge and/or the saddle on the bridge. Adjust height by alternately turning the screws little by little on the left and right sides.
Set too high and the instrument is hard to play. Too low results in fret noise.

Adjust so that the space between the string and the last fret measures as follows:

String Tuning Height
1st E 1.9 mm
2nd B 2.0 mm
3rd G 2.1 mm
4th D 2.2 mm
5th A 2.3 mm
6th E 2.4 mm



VIBRATO SYSTEM Vintage Type

Following is the procedure for adjusting the vintage vibrato system:

To check intonation, compare the harmonic tone (12th fret) to the fretted tone (12th fret).

  •  If fretted pitch is higher than harmonic, saddle must be moved backward to lengthen string.
  • If fretted pitch is lower than harmonic, saddle must be moved forward to lengthen string.

VIBRATO SYSTEM Locking Type

When changing strings it is necessary to cut off the ball ends of the strings.

Following is the procedure for changing strings and adjusting the vibrato system:

  1. Loosen the three clamp screws (A).
  2.  Turn the peg to loosen the string being replaced.
  3.  Loosen the lock screw (B) of the string being replaced.
  4. Remove the old string.
  5.  Tighten the lock screw to lock the string in place, then roughly tune the string. Do not over tighten the lock screw. Over tightening  may result in damage.
  6.  Make sure that the fine tuning screw (C) is in the middle of its range of travel.
  7.  After tuning, rock the tremolo arm back and forth about three times then re-tune the instrument.
  8.  If necessary, adjust the intonation and bridge angle.
  9.  Tighten the three clamp screws (A) to lock the strings at the nut.
  10. Use the fine-tuning screws (C) to precisely tune the instrument to the correct pitch.

Intonation Adjustment in Vibrato Bridge

  1.  After loosening/detuning the strings you would like to adjust. Loosen the hexagonal screw (D) located in the front of each saddle using the supplied hexagonal wrench.
  2.  Slide the saddles by hand to adjust the length of each string.
  3. When the intonation is correct, tighten the hexagonal screw (D) in front of each saddle to ensure that its position stays stationary.


BRIDGE/SPRING TENSION ADJUSTMENTS

For best results the bridge should always be adjusted so it is parallel to the top surface of the guitar as shown in illustration (below). This position is maintained by opposing tension between the strings and the claw springs. If you change string gauge, you will need to readjust the spring tension to return the bridge back to the parallel position.

The adjustment procedures are:

  1. Remove the screws that attach the tremolo cavity back plate from the back side of the guitar exposing the claw springs.
  2.  Make sure that the guitar is tuned to proper pitch.
  3. If the bridge is tilted forward (up), tighten spring tension by turning the claw screws clockwise. If the bridge is tilted back (down), loosen the spring tension by turning the claw screws counterclockwise. (illustration — A) Be sure to check string pitch after each adjustment to the spring tension.

TRUSS ROD ADJUSTMENT

The curvature of the neck should be slightly concave. Clockwise rotation of the nut tightens the rod and corrects for too much concave bow. Counterclockwise rotation of the nut loosens the rod and corrects for too much convex bend. Make any adjustments gradually. Allow five to ten minutes for setting, and check the curvature after each 1/2 turn of the truss rod nut.


NOTE:Unless you have experience with truss rods, we suggest that you entrust this adjustment to your dealer.

PICKUP HEIGHT ADJUSTMENT

The height of the pickup (i.e. distance from the strings) affects gain — the higher the pickup, the louder the sound, and vice versa. If the pickup is set too high, sustain and play ability will suffer because of the magnetic pull on the strings. Adjust overall height using the screws located at either side of the pickup. If the pickup has individually adjustable polepieces (most humbuckers do), these can then be adjusted to achieve the best overall balance.
For optimal performance, we recommend measuring a distance of 2-3 millimeters between the bottom of string and the top of adjustable pole piece while fretting the highest fret.


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YAMAHA Digital Paino P – 125 Manual https://itsmanual.com/yamaha/p-125-paino/ Fri, 28 Jul 2023 09:37:08 +0000 https://itsmanual.com/?p=179233 Read More...

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YAMAHA Digital Paino

MIDI Functions

You can make detailed adjustments to MIDI settings.
For instructions on how to connect this instrument to the computer, refer to the “Computer-related Operations” downloadable from the Yamaha Downloads website.

MIDI Transmit/Receive Channel Selection

In any MIDI control setup, the MIDI channels of the transmitting and receiving devices must be matched for proper data transfer. This parameter enables you to specify the channel on which the instrument transmits or receives MIDI data.

Setting the Transmit Channel
While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press one of the C4–D#4 keys.
Default setting: 1

Setting the Receive Channel
While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press one of the F4–A4 keys.

MIDI transmission channels in Dual, Split or Duo

Voice 1 data is transmitted on its specified channel and Voice 2 data is transmitted on the next greater channel number relative to the specified channel. In this case, no data is transmitted if the transmit channel is set to “OFF.”

ALL:
“Multi-timbre” Receive. This allows simultaneous reception of different parts on all 16 MIDI channels, enabling the instrument to play multi-channel song data received from a computer.

1+2:
“1+2” Receive. This allows simultaneous reception on channels 1 and 2 only, enabling the instrument to play 1 and 2 channel song data received from a computer.
Program change and other like channel messages received will not affect the panel settings of the instrument or the notes you play on the keyboard.
Data for the Demo Songs and Preset Songs cannot be transmitted via MIDI.

Local Control ON/OFF

“Local Control” refers to the fact that, normally, the keyboard of the instrument controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control On,” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the keyboard of the instrument does not play the internal voices, but the appropriate MIDI information is still transmitted via the [USB TO HOST] terminal when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the [USB TO HOST] terminal.

While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press the C5 key. Pressing the C5 key repeatedly toggles between Local Control On and Off.

Program Change ON/OFF

Normally the instrument will respond to MIDI program change numbers received from a computer, causing the same numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The instrument will normally also send a MIDI program change number whenever one of its voices is selected, causing the same numbered voice or program to be selected on the computer if the computer is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the instrument without affecting the computer.

While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press the C#5 key. Pressing the C#5 key repeatedly toggles between Program Change On and Off.

Control Change ON/OFF

Normally the instrument will respond to MIDI control change data received from a computer, causing the voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected).
The instrument also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the pedal of the instrument and other controls can be operated without affecting a computer.

While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press the D5 key. Pressing the D5 key repeatedly toggles between Control Change On and Off.

MIDI Data Format

Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter “H” as a suffix.
Also, “n” can freely be defined as any whole number. To enter data/values, refer to the table below.

decimal hexadecimal binary decimal hexadecimal binary decimal hexadecimal binary decimal hexadecimal binary
0 00 0000 0000 32 20 0010 0000 64 40 0100 0000 96 60 0110 0000
1 01 0000 0001 33 21 0010 0001 65 41 0100 0001 97 61 0110 0001
2 02 0000 0010 34 22 0010 0010 66 42 0100 0010 98 62 0110 0010
3 03 0000 0011 35 23 0010 0011 67 43 0100 0011 99 63 0110 0011
4 04 0000 0100 36 24 0010 0100 68 44 0100 0100 100 64 0110 0100
5 05 0000 0101 37 25 0010 0101 69 45 0100 0101 101 65 0110 0101
6 06 0000 0110 38 26 0010 0110 70 46 0100 0110 102 66 0110 0110
7 07 0000 0111 39 27 0010 0111 71 47 0100 0111 103 67 0110 0111
8 08 0000 1000 40 28 0010 1000 72 48 0100 1000 104 68 0110 1000
9 09 0000 1001 41 29 0010 1001 73 49 0100 1001 105 69 0110 1001
10 0A 0000 1010 42 2A 0010 1010 74 4A 0100 1010 106 6A 0110 1010
11 0B 0000 1011 43 2B 0010 1011 75 4B 0100 1011 107 6B 0110 1011
12 0C 0000 1100 44 2C 0010 1100 76 4C 0100 1100 108 6C 0110 1100
13 0D 0000 1101 45 2D 0010 1101 77 4D 0100 1101 109 6D 0110 1101
14 0E 0000 1110 46 2E 0010 1110 78 4E 0100 1110 110 6E 0110 1110
15 0F 0000 1111 47 2F 0010 1111 79 4F 0100 1111 111 6F 0110 1111
16 10 0001 0000 48 30 0011 0000 80 50 0101 0000 112 70 0111 0000
17 11 0001 0001 49 31 0011 0001 81 51 0101 0001 113 71 0111 0001
18 12 0001 0010 50 32 0011 0010 82 52 0101 0010 114 72 0111 0010
19 13 0001 0011 51 33 0011 0011 83 53 0101 0011 115 73 0111 0011
20 14 0001 0100 52 34 0011 0100 84 54 0101 0100 116 74 0111 0100
21 15 0001 0101 53 35 0011 0101 85 55 0101 0101 117 75 0111 0101
22 16 0001 0110 54 36 0011 0110 86 56 0101 0110 118 76 0111 0110
23 17 0001 0111 55 37 0011 0111 87 57 0101 0111 119 77 0111 0111
24 18 0001 1000 56 38 0011 1000 88 58 0101 1000 120 78 0111 1000
25 19 0001 1001 57 39 0011 1001 89 59 0101 1001 121 79 0111 1001
26 1A 0001 1010 58 3A 0011 1010 90 5A 0101 1010 122 7A 0111 1010
27 1B 0001 1011 59 3B 0011 1011 91 5B 0101 1011 123 7B 0111 1011
28 1C 0001 1100 60 3C 0011 1100 92 5C 0101 1100 124 7C 0111 1100
29 1D 0001 1101 61 3D 0011 1101 93 5D 0101 1101 125 7D 0111 1101
30 1E 0001 1110 62 3E 0011 1110 94 5E 0101 1110 126 7E 0111 1110
31 1F 0001 1111 63 3F 0011 1111 95 5F 0101 1111 127 7F 0111 1111
  • Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) denotes the Note On Message for each channel (1-16). 176-191/BnH/1011 0000-1011 1111 denotes the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-1100 1111 denotes the Program Change Message for each channel (1-16). 240/FOH/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of a System Exclusive Message.
  • aaH (hexadecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low.
  • bbH/0bbbbbbb denotes the byte count.
  • ccH/0ccccccc denotes the check sum.
  • ddH/0ddddddd denotes the data/value.
Preset Voice List

Program change numbers are often specified as numbers “0 -127.” Since this list uses a “1 – 128” numbering system, in such cases it is necessary to subtract 1 from the transmitted program change numbers to select the appropriate sound: e.g. to select Live Grand in the list below, transmit program change number 1.

Voice Button Voice Name MSB (0-127) LSB (0-127) Program Change # (1-128)
[PIANO] Grand Piano 108 0 1
Live Grand 108 2 2
Ballad Grand 108 3 1
Bright Grand 108 0 2
[E.PIANO] Stage E.Piano 108 0 5
DX E.Piano 108 0 6
Vintage E.Piano 108 1 5
Synth Piano 108 0 89
[ORGAN] Jazz Organ 108 0 17
Rock Organ 108 0 19
Organ Principal 108 1 20
Organ Tutti 108 0 20
[CLV./VIB.] Harpsichord 8’ 108 0 7
Harpsi.8’+4’ 108 1 7
E.Clavichord 108 0 8
Vibraphone 108 0 12
[STRINGS] Strings 108 0 49
Slow Strings 108 0 50
Choir 108 0 53
Synth Pad 108 0 90
[+BASS] Acoustic Bass 108 0 33
Electric Bass 108 0 34
Bass & Cymbal 108 1 33
Fretless Bass 108 0 36

MIDI CHANNEL MESSAGE (1)

 

MIDI Events

Status byte 1st Data byte 2nd Data byte  

MIDI

Formats

MIDI Reception MIDI Transmission
 

Status

 

Data

 

(HEX)

 

Parameter

 

Data

 

(HEX)

 

Parameter

 

Song

Main

Layer Left

Panel

(main genera- tion method)

 

Song

Key Off 8nH (n:Channel Number) kk Key no. (0-127) vv Velocity(0-127) [GM1]

[GM2]

O X O

(Keyboard)

X
Key On 9nH (n:Channel Number) kk Key no. (0-127) vv Key On :vv=1-127 Key Off :vv=0 [GM1]

[GM2]

O X O

(Keyboard)

X
Control Change BnH 0 (00H) Bank Select MSB 0-127 (00H…7FH) (00) Normal [GM2] O X O

(Voice)

X
1 (01H) Modulation 0-127 (00H…7FH) Data [GM1]

[GM2]

O X X X
5 (05H) Portamento Time 0-127 (00H…7FH) Data [GM2] O X X X
6 (06H) Data Entry MSB 0-127 (00H…7FH) Data [GM2] O X X X
7 (07H) Main Volume 0-127 (00H…7FH) Data [GM1]

[GM2]

O X O

(Voice)

X
10 (0AH) Panpot 0-127 (00H…7FH) L64…C…R63 [GM1]

[GM2]

O X O

(Duo)

X
11 (0BH) Expression 0-127 (00H…7FH) Data [GM1]

[GM2]

O X X X
32 (20H) Bank Select LSB 0-127 (00H…7FH) Data [GM2] O X O

(Voice)

X
38 (26H) Data Entry LSB 0-127 (00H…7FH) Data [GM2] O X X X
64 (40H) Sustain(Damper) 0-127 (00H…7FH) Data [GM1]

[GM2]

O X O

(Pedal)

X
65 (41H) Portamento 0-127 (00H…7FH) 0…63, 64…127 (OFF, ON) [GM2] O X X X
66 (42H) Sostenuto 0-127 (00H…7FH) 0…63, 64…127 (OFF, ON) [GM2] O X O

(Pedal)

X
67 (43H) Soft Pedal 0-127 (00H…7FH) 0…63, 64…127 (OFF, ON) [GM2] O X O

(Pedal)

X
71 (47H) Harmonic Content 0-127 (00H…7FH) -64…0…+63 [GM2] O X X X
72 (48H) Release Time 0-127 (00H…7FH) -64…0…+63 [GM2] O X X X
73 (49H) Attack Time 0-127 (00H…7FH) -64…0…+63 [GM2] O X X X
74 (4AH) Brightness 0-127 (00H…7FH) -64…0…+63 [GM2] O X X X
75 (4BH) Decay Time 0-127 (00H…7FH) -64…0…+63 [GM2] O X X X
76 (4CH) Vibrate Rate 0-127 (00H…7FH) -64…0…+63 [GM2] O X X X
77 (4DH) Vibrate Depth 0-127 (00H…7FH) -64…0…+63 [GM2] O X X X
78 (4EH) Vibrate Delay 0-127 (00H…7FH) -64…0…+63 [GM2] O X X X
84 (54H) Portamento Control 0-127 (00H…7FH) Key no. (0-127) O X X X
91 (5BH) Effect1 Depth (Reverb Send Level) 0-127 (00H…7FH) Data [GM2] O X O

(Voice)

X
93 (5DH) Effect3 Depth (Chorus Send Level) 0-127 (00H…7FH) Data [GM2] O X O

(Voice)

X
94 (5EH) Effect4 Depth (Variation Send Level) 0-127 (00H…7FH) Data O X X X
96 (60H) RPN Increment The data byte is ignored. O X X X
97 (61H) RPN Decrement The data byte is ignored. O X X X
98 (62H) NRPN LSB 0-127 (00H…7FH) Data O X X X
99 (63H) NRPN MSB 0-127 (00H…7FH) Data O X X X
100 (64H) RPN LSB 0-127 (00H…7FH) Data [GM2] O X X X
101 (65H) RPN MSB 0-127 (00H…7FH) Data [GM2] O X X X
Mode Message BnH (n:Channel Number) 120 (78H) All Sound Off 0 (00H) Data [GM2] O X X X
121 (79H) Reset All Controllers 0 (00H) Data [GM1]

[GM2]

O X X X
122 (7AH) Local Control 0

127

(00H)

(7FH)

OFF ON O X X
123 (7BH) All Note Off 0 (00H) Data [GM1]

[GM2]

O X X X
124 (7CH) Omni Off 0 (00H) Data [GM2] O X X X
125 (7DH) Omni On 0 (00H) Data [GM2] O X X X
126 (7EH) Mono 0-16 (00H…10H) Data [GM2] O X X X
127 (7FH) Poly 0 (00H) Data [GM2] O X X X
Program Change CnH (n:Channel Number) pp (00H…7FH) Voice number (0-127) [GM1]

[GM2]

O X O

(Voice)

X
Channel After Touch DnH (n:Channel Number) vv (00H…7FH) Data [GM1]

[GM2]

O X X X
Polyphonic After Touch AnH (n:Channel Number) kk (00H…7FH) Key no. (0-127) vv (00H…7FH) Data O X X X
Pitch Bend Change EnH (n:Channel Number) cc (00H…7FH) LSB dd (00H…7FH) MSB [GM1]

[GM2]

O X X X
Realtime Message F8H MIDI Clock X O
FAH Start O O
FBH Continue X X
FCH Stop O O
FEH Active Sens [GM2] O O
FFH System

Reset

X X

MIDI CHANNEL MESSAGE (2)

NRPN (Non Registered Parameter Number)

NRPN Data Entry  

Parameter

 

Data Range

 

MIDI

Formats

MIDI Reception MIDI Transmission
 

MSB

 

LSB

 

MSB

 

LSB

 

Song

Main Layer Left Panel (main genera-

tion method)

 

Song

01H 08H mmH Vibrato Rate mm : 00H-40H-7FH (-64…0…+63) O X X X
01H 09H mmH Vibrato Depth mm : 00H-40H-7FH (-64…0…+63) O X X X
01H 0AH mmH Vibrato Delay mm : 00H-40H-7FH (-64…0…+63) O X X X
01H 20H mmH Low Pass Filter Cutoff Frequency mm : 00H-40H-7FH (-64…0…+63) O X X X
01H 21H mmH Low Pass Filter Resonance mm : 00H-40H-7FH (-64…0…+63) O X X X
01H 30H mmH EQ BASS mm : 00H-40H-7FH (-64…0…+63) O X X X
01H 31H mmH EQ TREBLE mm : 00H-40H-7FH (-64…0…+63) O X X X
01H 34H mmH EQ BASS Frequency mm : 04H-28H (32. 2.0k[Hz]) O X X X
01H 35H mmH EQ TREBLE Frequency mm : 1CH-3AH (500.. 16.0k[Hz]) O X X X
01H 63H mmH EG Attack Time mm : 00H-40H-7FH (-64…0…+63) O X X X
01H 64H mmH EG Decay Time mm : 00H-40H-7FH (-64…0…+63) O X X X
01H 66H mmH EG Release mm : 00H-40H-7FH (-64…0…+63) O X X X
14H rrH mmH Drum Low Pass Filter Cutoff Frequency rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63) O X X X
15H rrH mmH Drum Low Pass Filter Resonance rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63) O X X X
16H rrH mmH Drum EG Attack Rate rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63) O X X X
17H rrH mmH Drum EG Decay Rate rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63) O X X X
18H rrH mmH Drum Pitch Coarse rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63) O X X X
19H rrH mmH Drum Pitch Fine rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63) O X X X
1AH rrH mmH Drum Level rr : drum instrument note number mm : 00H-7FH (0…127) O X X X
1CH rrH mmH Drum Pan rr : drum instrument note number

mm : 00H, 01H-40H-7FH (RND, L63…C…R63)

O X X X
1DH rrH mmH Drum Reverb Send Level rr : drum instrument note number mm : 00H-7FH (0…127) O X X X
1EH rrH mmH Drum Chorus Send Level rr : drum instrument note number mm : 00H-7FH (0…127) O X X X
1FH rrH mmH Drum Variation Send Level rr : drum instrument note number mm : 00H-7FH (0…127) O X X X
24H rrH mmH Drum HPF Cutoff Frequency rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63) O X X X
30H rrH mmH Drum EQ Bass Gain rr : drum instrument note number mm : 00H-7FH (0…127) X X X X
31H rrH mmH Drum EQ Treble Gain rr : drum instrument note number mm : 00H-7FH (0…127) X X X X
34H rrH mmH Drum EQ Bass Frequency rr : drum instrument note number mm : 04H-28H (32. 2.0k[Hz]) X X X X
35H rrH mmH Drum EQ Treble Frequency rr : drum instrument note number mm : 1CH-3AH (500……………………….. 16.0k[Hz]) X X X X
40H rrH mmH Drum VELOCITY PITCH SENS. rr : drum instrument note number mm : 00H-0FH (0…15) X X X X
41H rrH mmH Drum VELOCITY LPF CUTOFF SENS. rr : drum instrument note number mm : 00H-0FH (0…15) X X X X

NRPN MSB: 14H-1FH (for drums) message is accepted as long as the channel is set with a drum voice.
Data Entry LSB: Ignored.

RPN (Registered Parameter Number)
NRPN Data Entry  

 

Parameter

 

 

Data Range

 

MIDI

Formats

MIDI Reception

(respond/ignored)

MIDI Transmission

(generated data)

 

MSB

 

LSB

 

MSB

 

LSB

 

Song

Main Layer Left Panel (main genera-

tion method)

 

Song

00H 00H mmH Pitch Bend Sensitivity mm : 00H-18H (0…+24[semitones]) [GM1]

[GM2]

O X X X
00H 01H mmH llH Fine Tune mm  ll : 00H 00H      -100[cent]

mm  ll : 40H 00H       0[cent]

mm  ll : 7FH 7FH      100[cent]

[GM1]

[GM2]

O X X X
00H 02H mmH Coarse Tune mm : 28H-40H-58H (-24…0…+24[semitones]) [GM1]

[GM2]

O X X X
00H 05H mmH llH Modulation Sensitivity mm : Specified in semitone steps ll : Specified in 100/128 cent steps [GM2] O X X X
7FH 7FH Null [GM2] O X X X

MIDI PARAMETER CHANGE TABLE

* Not Received when Receive Parameter SysEx is set to off.
* Not transmitted when Transmit Parameter SysEx is set to off.

MIDI Parameter Change table (XG SYSTEM)
 

Address (H)

 

Size (H)

 

Data (H)

 

Parameter

 

Description

 

XG Default (H)

MIDI Reception MIDI Transmission
 

Song

Main Layer Left Panel

(main genera- tion method)

 

Song

00      00         00 4 00-0F

00-0F

00-0F

00-0F

MASTER TUNE -102.4…0…+102.3[cent]

1st bit3-0gbit15-12 2nd bit3-0gbit11-8 3rd bit3-0gbit7-4 4th bit3-0gbit3-0

*Panel setting value O X X
04 1 00-7F MASTER VOLUME 0…127 7F O X X X
05 1 00-7F MASTER ATTENUATOR 0…127 00 X X X X
06 1 28-58 TRANSPOSE -24…0…+24[semitones] 40 O X X X
7D 1 N DRUM SETUP RESET N:Drum setup number O X X X
7E 1 00 XG SYSTEM ON 00=XG system ON O X X X
7F 1 00 ALL PARAMETER RESET 00=ON O X X X
MIDI Parameter Change table (SYSTEM INFORMATION)
Address (H) Size (H) Data (H) Parameter Description MIDI Reception MIDI Transmission
 

Song

Main Layer Left Panel

(main genera- tion method)

 

Song

01      00      00

… 0D

E 20-7F

… 20-7F

Model Name 1

Model Name 14

32…127(ASCII CHARACTER)

32…127(ASCII CHARACTER)

X X
0E 1 NOT USED
0F 1 NOT USED

TOTAL SIZE 10
Transmitted in response to Dump Request. Not received.

MIDI Parameter Change table (EFFECT1)
 

Address (H)

 

Size (H)

 

Data (H)

 

Parameter

 

Description

 

XG Default (H)

MIDI Reception MIDI Transmission
 

Song

Main Layer Left Panel

(main genera- tion method)

 

Song

02      01         00 2 00-7F REVERB TYPE MSB Refer to Effect Type List (page 15). 01(=HALL1) O O

(Reverb Type)

X
00-7F REVERB TYPE LSB Refer to Effect Type List (page 15). 00
02 1 00-7F REVERB PARAMETER 1 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
03 1 00-7F REVERB PARAMETER 2 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
04 1 00-7F REVERB PARAMETER 3 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
05 1 00-7F REVERB PARAMETER 4 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
06 1 00-7F REVERB PARAMETER 5 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
07 1 00-7F REVERB PARAMETER 6 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
08 1 00-7F REVERB PARAMETER 7 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
09 1 00-7F REVERB PARAMETER 8 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
0A 1 00-7F REVERB PARAMETER 9 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
0B 1 00-7F REVERB PARAMETER 10 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
0C 1 00-7F REVERB RETURN -∞dB…0dB…+6dB(0…64…127) 40 O X X
0D 1 01-7F REVERB PAN L63…C…R63 40 O X X
02      01          10 1 00-7F REVERB PARAMETER 11 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
11 1 00-7F REVERB PARAMETER 12 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
12 1 00-7F REVERB PARAMETER 13 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
13 1 00-7F REVERB PARAMETER 14 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
14 1 00-7F REVERB PARAMETER 15 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
15 1 00-7F REVERB PARAMETER 16 Refer to Effect Type List (page 15). Depends on Reverb Type. O (Depends on Reverb Type.) X X
Address (H) Size (H) Data (H) Parameter Description XG Default (H) MIDI Reception MIDI Transmission
Song Main Layer Left Panel (main genera-

tion method)

Song
02      01         20 2 00-7F CHORUS TYPE MSB Refer to Effect Type List (page 15). 41(=CHORUS1) O O X
00-7F CHORUS TYPE LSB Refer to Effect Type List (page 15). 00
22 1 00-7F CHORUS PARAMETER 1 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
23 1 00-7F CHORUS PARAMETER 2 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
24 1 00-7F CHORUS PARAMETER 3 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
25 1 00-7F CHORUS PARAMETER 4 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
26 1 00-7F CHORUS PARAMETER 5 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
27 1 00-7F CHORUS PARAMETER 6 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
28 1 00-7F CHORUS PARAMETER 7 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
29 1 00-7F CHORUS PARAMETER 8 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
2A 1 00-7F CHORUS PARAMETER 9 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
2B 1 00-7F CHORUS PARAMETER 10 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
2C 1 00-7F CHORUS RETURN -∞dB…0dB…+6dB(0…64…127) 40 O X X
2D 1 01-7F CHORUS PAN L63…C…R63 40 O X X
2E 1 00-7F SEND CHORUS TO REVERB -∞dB…0dB…+6dB(0…64…127) 00 O X X
02      01          30 1 00-7F CHORUS PARAMETER 11 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
31 1 00-7F CHORUS PARAMETER 12 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
32 1 00-7F CHORUS PARAMETER 13 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
33 1 00-7F CHORUS PARAMETER 14 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
34 1 00-7F CHORUS PARAMETER 15 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
35 1 00-7F CHORUS PARAMETER 16 Refer to Effect Type List (page 15). Depends on Chorus Type. O (Depends on Chorus Type.) X X
Address (H) Size (H) Data (H) Parameter Description XG Default (H) MIDI Reception MIDI Transmission
Song Main Layer Left Panel (main genera-

tion method)

Song
02      01         40 2 00-7F VARIATION TYPE MSB Refer to Effect Type List (page 15). 05(=DELAY L,C,R) O X X
00-7F VARIATION TYPE LSB Refer to Effect Type List (page 15). 00
42 2 00-7F VARIATION PARAMETER 1 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 1 LSB Refer to Effect Type List (page 15).
44 2 00-7F VARIATION PARAMETER 2 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 2 LSB Refer to Effect Type List (page 15).
46 2 00-7F VARIATION PARAMETER 3 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 3 LSB Refer to Effect Type List (page 15).
48 2 00-7F VARIATION PARAMETER 4 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 4 LSB Refer to Effect Type List (page 15).
4A 2 00-7F VARIATION PARAMETER 5 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 5 LSB Refer to Effect Type List (page 15).
4C 2 00-7F VARIATION PARAMETER 6 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 6 LSB Refer to Effect Type List (page 15).
4E 2 00-7F VARIATION PARAMETER 7 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 7 LSB Refer to Effect Type List (page 15).
50 2 00-7F VARIATION PARAMETER 8 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 8 LSB Refer to Effect Type List (page 15).
52 2 00-7F VARIATION PARAMETER 9 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 9 LSB Refer to Effect Type List (page 15).
54 2 00-7F VARIATION PARAMETER 10 MSB Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
00-7F VARIATION PARAMETER 10 LSB Refer to Effect Type List (page 15).
56 1 00-7F VARIATION RETURN -∞dB…0dB…+6dB(0…64…127) 40 O X X
57 1 01-7F VARIATION PAN L63…C…R63 40 O X X
58 1 00-7F SEND VARIATION TO REVERB -∞dB…0dB…+6dB(0…64…127) 00 O X X
59 1 00-7F SEND VARIATION TO CHORUS -∞dB…0dB…+6dB(0…64…127) 00 O X X
5A 1 00-01 VARIATION CONNECTION INSERTION, SYSTEM 00 O X X
5B 1 00-7F VARIATION PART NUMBER Reception : Part1…16(0…15) Transmission : Part1…16(0…15) AD(64)

OFF(127)

7F O X X
5C 1 00-7F MW VARIATION CONTROL DEPTH -64…0…+63 40 O X X
5D 1 00-7F BEND VARIATION CONTROL DEPTH -64…0…+63 40 O X X
5E 1 00-7F CAT VARIATION CONTROL DEPTH -64…0…+63 40 O X X
5F 1 00-7F AC1 VARIATION CONTROL DEPTH -64…0…+63 40 O X X
60 1 00-7F AC2 VARIATION CONTROL DEPTH -64…0…+63 40 O X X
02      01          70 1 00-7F VARIATION PARAMETER 11 Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
71 1 00-7F VARIATION PARAMETER 12 Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
72 1 00-7F VARIATION PARAMETER 13 Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
73 1 00-7F VARIATION PARAMETER 14 Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
74 1 00-7F VARIATION PARAMETER 15 Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
75 1 00-7F VARIATION PARAMETER 16 Refer to Effect Type List (page 15). Depends on Variation Type. O (Depends on Variation Type.) X X
MIDI Parameter Change table (MULTI EQ)
Address (H)  

Size (H)

 

Data (H)

 

Parameter

 

Description

* The MULTI EQ Parameter cannot be reset to its factory setting with XG SYSTEM ON. MIDI Reception MIDI Transmission
 

Song

Main Layer Left Panel (main genera-

tion method)

 

Song

02      40         00 1 00-04 EQ TYPE flat, jazz, pops, rock, classic X X X
01 1 34-4C EQ GAIN1 -12…0…+12[dB] X X X
02 1 04-28 EQ FREQUENCY1 32. 2.0k[Hz] X X X
03 1 01-78 EQ Q1 0.1…12.0 X X X
04 1 00-01 EQ SHAPE1 shelving, peaking X X X
05 1 34-4C EQ GAIN2 -12…0…+12[dB] X X X
06 1 0E-36 EQ FREQUENCY2 100. 10.0k[Hz] X X X
07 1 01-78 EQ Q2 0.1…12.0 X X X
08 1 NOT USED
09 1 34-4C EQ GAIN3 -12…0…+12[dB] X X X
0A 1 0E-36 EQ FREQUENCY3 100. 10.0k[Hz] X X X
0B 1 01-78 EQ Q3 0.1…12.0 X X X
0C 1 NOT USED
0D 1 34-4C EQ GAIN4 -12…0…+12[dB] X X X
0E 1 0E-36 EQ FREQUENCY4 100. 10.0k[Hz] X X X
0F 1 01-78 EQ Q4 0.1…12.0 X X X
10 1 NOT USED
11 1 34-4C EQ GAIN5 -12…0…+12[dB] X X X
12 1 1C-3A EQ FREQUENCY5 0.5k. 16.0k[Hz] X X X
13 1 01-78 EQ Q5 0.1…12.0 X X X
14 1 00-01 EQ SHAPE5 shelving, peaking X X X
MIDI Parameter Change table (EFFECT2)
 

Address (H)

 

Size (H)

 

Data (H)

 

Parameter

 

Description

* The EFFECT 2 Parameter cannot be reset to its factory setting with XG SYSTEM ON. MIDI Reception MIDI Transmission
 

Song

Main Layer Left Panel (main genera-

tion method)

 

Song

03       n          00 2 00-7F INSERTION EFFECT TYPE MSB Refer to Effect Type List (page 15). O O

(Voice)

X
00-7F INSERTION EFFECT TYPE LSB Refer to Effect Type List (page 15).
02 1 00-7F INSERTION EFFECT PARAMETER 1 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
03 1 00-7F INSERTION EFFECT PARAMETER 2 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
04 1 00-7F INSERTION EFFECT PARAMETER 3 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
05 1 00-7F INSERTION EFFECT PARAMETER 4 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
06 1 00-7F INSERTION EFFECT PARAMETER 5 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
07 1 00-7F INSERTION EFFECT PARAMETER 6 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
08 1 00-7F INSERTION EFFECT PARAMETER 7 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
09 1 00-7F INSERTION EFFECT PARAMETER 8 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
0A 1 00-7F INSERTION EFFECT PARAMETER 9 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
0B 1 00-7F INSERTION EFFECT PARAMETER 10 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
0C 1 00-7F INSERTION EFFECT PART NUMBER Reception : Part1…16(0…15) Transmission : Part1…16(0…15) AD(64)

OFF(127)

O O

(Voice)

X
0D 1 00-7F MW INSERTION CONTROL DEPTH -64…0…+63 O X X
0E 1 00-7F BEND INSERTION CONTROL DEPTH -64…0…+63 O X X
0F 1 00-7F CAT INSERTION CONTROL DEPTH -64…0…+63 O X X
10 1 00-7F AC1 INSERTION CONTROL DEPTH -64…0…+63 O O

(Voice)

X
11 1 00-7F AC2 INSERTION CONTROL DEPTH -64…0…+63 O X X
20 1 00-7F INSERTION EFFECT PARAMETER 11 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
21 1 00-7F INSERTION EFFECT PARAMETER 12 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
22 1 00-7F INSERTION EFFECT PARAMETER 13 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
23 1 00-7F INSERTION EFFECT PARAMETER 14 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
24 1 00-7F INSERTION EFFECT PARAMETER 15 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
25 1 00-7F INSERTION EFFECT PARAMETER 16 Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
30 2 00-7F INSERTION EFFECT PARAMETER 1 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) X X
00-7F INSERTION EFFECT PARAMETER 1 LSB Refer to Effect Type List (page 15).
32 2 00-7F INSERTION EFFECT PARAMETER 2 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) X X
00-7F INSERTION EFFECT PARAMETER 2 LSB Refer to Effect Type List (page 15).
34 2 00-7F INSERTION EFFECT PARAMETER 3 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) X X
00-7F INSERTION EFFECT PARAMETER 3 LSB Refer to Effect Type List (page 15).
36 2 00-7F INSERTION EFFECT PARAMETER 4 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) X X
00-7F INSERTION EFFECT PARAMETER 4 LSB Refer to Effect Type List (page 15).
38 2 00-7F INSERTION EFFECT PARAMETER 5 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) X X
00-7F INSERTION EFFECT PARAMETER 5 LSB Refer to Effect Type List (page 15).
3A 2 00-7F INSERTION EFFECT PARAMETER 6 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) X X
00-7F INSERTION EFFECT PARAMETER 6 LSB Refer to Effect Type List (page 15).
3C 2 00-7F INSERTION EFFECT PARAMETER 7 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) X X
00-7F INSERTION EFFECT PARAMETER 7 LSB Refer to Effect Type List (page 15).
3E 2 00-7F INSERTION EFFECT PARAMETER 8 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) X X
00-7F INSERTION EFFECT PARAMETER 8 LSB Refer to Effect Type List (page 15).
40 2 00-7F INSERTION EFFECT PARAMETER 9 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) X X
00-7F INSERTION EFFECT PARAMETER 9 LSB Refer to Effect Type List (page 15).
42 2 00-7F INSERTION EFFECT PARAMETER 10 MSB Refer to Effect Type List (page 15). O (Depends on Insertion Type.) O

(Voice)

X
00-7F INSERTION EFFECT PARAMETER 10 LSB Refer to Effect Type List (page 15).

The second byte of the address is considered as an Insertion effect number.
n : insertion effect number
The Insertion Effect No. range is from 0 to 1. Values outside the range are handled as unknown and ignored.
For effect types that do not require MSB, the Parameters for Address 02-0B will be received and the Parameters for Address 30-42 will not be received.
For effect types that require MSB, the Parameters for Address 30-42 will be received and the Parameters for Address 02-0B will not be received.
When bulk dumps that include Effect Type data are transmitted, the parameters for addresses 02-0B will always be transmitted.
For effects that require MSB however, when a bulk dump is received, the parameters for addresses 02-0B will not be received.

MIDI Parameter Change table (MULTI PART)

 

Address (H)

 

Size (H)

 

Data (H)

 

Parameter

 

Description

 

XG Default (H)

MIDI Reception MIDI Transmission
 

Song

Main Layer Left Panel (main genera-

tion method)

 

Song

08      nn         00 1 00-20 NOT USED X X X X
01 1 00-7F BANK SELECT MSB 0…127 part10=7F, other parts=00 O X X X
02 1 00-7F BANK SELECT LSB 0…127 00 O X X X
03 1 00-7F PROGRAM NUMBER 1…128 00 O X X X
04 1 00-0F,

7F

Rcv CHANNEL 1…16, OFF Part No. O X X X
05 1 00-01 MONO/POLY MODE MONO, POLY 01 O X X X
06 1 00-02 SAME NOTE NUMBER KEY ON ASSIGN SINGLE, MULTI, INST(for Drum) 01 O X X X
07 1 00-03 PART MODE NORMAL, DRUM, DRUMS1…2 part10=02, other parts=00 O X O

(Voice)

X
08 1 28-58 NOTE SHIFT -24…0…+24[semitones] 40 O X X X
09 2 00-0F DETUNE -12.8…0…+12.7[Hz]

1st bit3-0gbit7-4

08 00 O X X X
00-0F
0B 1 00-7F VOLUME 0…127 64 O X X X
0C 1 00-7F VELOCITY SENSE DEPTH 0…127 40 O X O

(Voice)

X
0D 1 00-7F VELOCITY SENSE OFFSET 0…127 40 O X O

(Voice)

X
0E 1 00-7F PAN RND,L63…C…R63 40 O X X X
0F 1 00-7F NOTE LIMIT LOW C-2…G8 00 O X X X
10 1 00-7F NOTE LIMIT HIGH C-2…G8 7F O X X X
11 1 00-7F DRY LEVEL 0…127 7F O X X X
12 1 00-7F CHORUS SEND 0…127 00 O X X X
13 1 00-7F REVERB SEND 0…127 28 O X X X
14 1 00-7F VARIATION SEND 0…127 00 O X X X
15 1 00-7F VIBRATO RATE -64…0…+63 40 O X X X
16 1 00-7F VIBRATO DEPTH -64…0…+63 40 O X X X
17 1 00-7F VIBRATO DELAY -64…0…+63 40 O X X X
18 1 00-7F FILTER CUTOFF FREQUENCY -64…0…+63 40 O X X X
19 1 00-7F FILTER RESONANCE -64…0…+63 40 O X X X
1A 1 00-7F EG ATTACK TIME -64…0…+63 40 O X X X
1B 1 00-7F EG DECAY TIME -64…0…+63 40 O X X X
1C 1 00-7F EG RELEASE TIME -64…0…+63 40 O X X X
1D 1 28-58 MW PITCH CONTROL -24…0…+24[semitones] 40 O X X X
1E 1 00-7F MW LOW PASS FILTER CONTROL -9600…0…+9450[cent] 40 O X X X
1F 1 00-7F MW AMPLITUDE CONTROL -100…0…+100[%] 40 O X X X
20 1 00-7F MW LFO PMOD DEPTH 0…127 0A O X X X
21 1 00-7F MW LFO FMOD DEPTH 0…127 00 O X X X
22 1 00-7F MW LFO AMOD DEPTH 0…127 00 O X X X
23 1 28-58 BEND PITCH CONTROL -24…0…+24[semitones] 42 O X X X
24 1 00-7F BEND LOW PASS FILTER CONTROL -9600…0…+9450[cent] 40 O X X X
25 1 00-7F BEND AMPLITUDE CONTROL -100…0…+100[%] 40 O X X X
26 1 00-7F BEND LFO PMOD DEPTH 0…127 00 O X X X
27 1 00-7F BEND LFO FMOD DEPTH 0…127 00 O X X X
28 1 00-7F BEND LFO AMOD DEPTH 0…127 00 O X X X
30 1 00-01 Rcv PITCH BEND OFF, ON 01 O X X X
31 1 00-01 Rcv CH AFTER TOUCH(CAT) OFF, ON 01 O X X X
32 1 00-01 Rcv PROGRAM CHANGE OFF, ON 01 O X X X
33 1 00-01 Rcv CONTROL CHANGE OFF, ON 01 O X X X
34 1 00-01 Rcv POLY AFTER TOUCH(PAT) OFF, ON 01 O X X X
35 1 00-01 Rcv NOTE MESSAGE OFF, ON 01 O X X X
36 1 00-01 Rcv RPN OFF, ON 01 O X X X
37 1 00-01 Rcv NRPN OFF, ON XGmode=01, GMmode=00 O X X X
38 1 00-01 Rcv MODULATION OFF, ON 01 O X X X
39 1 00-01 Rcv VOLUME OFF, ON 01 O X X X
3A 1 00-01 Rcv PAN OFF, ON 01 O X X X
3B 1 00-01 Rcv EXPRESSION OFF, ON 01 O X X X
3C 1 00-01 Rcv HOLD1 OFF, ON 01 O X X X
3D 1 00-01 Rcv PORTAMENTO OFF, ON 01 O X X X
3E 1 00-01 Rcv SOSTENUTO OFF, ON 01 O X X X
3F 1 00-01 Rcv SOFT PEDAL OFF, ON 01 O X X X
40 1 00-01 Rcv BANK SELECT OFF, ON 01 O X X X
41 1 00-7F SCALE TUNING C -63…0…+63[cent] 40 O X X X
42 1 00-7F SCALE TUNING C# -63…0…+63[cent] 40 O X X X
43 1 00-7F SCALE TUNING D -63…0…+63[cent] 40 O X X X
44 1 00-7F SCALE TUNING D# -63…0…+63[cent] 40 O X X X
45 1 00-7F SCALE TUNING E -63…0…+63[cent] 40 O X X X
46 1 00-7F SCALE TUNING F -63…0…+63[cent] 40 O X X X
47 1 00-7F SCALE TUNING F# -63…0…+63[cent] 40 O X X X
48 1 00-7F SCALE TUNING G -63…0…+63[cent] 40 O X X X
49 1 00-7F SCALE TUNING G# -63…0…+63[cent] 40 O X X X
4A 1 00-7F SCALE TUNING A -63…0…+63[cent] 40 O X X X
4B 1 00-7F SCALE TUNING A# -63…0…+63[cent] 40 O X X X
4C 1 00-7F SCALE TUNING B -63…0…+63[cent] 40 O X X X
4D 1 28-58 CAT PITCH CONTROL -24…0…+24[semitones] 40 O X X X
4E 1 00-7F CAT LOW PASS FILTER CONTROL -9600…0…+9450[cent] 40 O X X X
4F 1 00-7F CAT AMPLITUDE CONTROL -100…0…+100[%] 40 O X X X
50 1 00-7F CAT LFO PMOD DEPTH 0…127 00 O X X X
51 1 00-7F CAT LFO FMOD DEPTH 0…127 00 O X X X
52 1 00-7F CAT LFO AMOD DEPTH 0…127 00 O X X X
53 1 28-58 PAT PITCH CONTROL -24…0…+24[semitones] 40 O X X X
54 1 00-7F PAT LOW PASS FILTER CONTROL -9600…0…+9450[cent] 40 O X X X
55 1 00-7F PAT AMPLITUDE CONTROL -100…0…+100[%] 40 O X X X
56 1 00-7F PAT LFO PMOD DEPTH 0…127 00 O X X X
57 1 00-7F PAT LFO FMOD DEPTH 0…127 00 O X X X
58 1 00-7F PAT LFO AMOD DEPTH 0…127 00 O X X X
59 1 00-5F AC1 CONTROLLER NUMBER 0…95 10 O X O

(Voice)

X
5A 1 28-58 AC1 PITCH CONTROL -24…0…+24[semitones] 40 O X X X
5B 1 00-7F AC1 LOW PASS FILTER CONTROL -9600…0…+9450[cent] 40 O X X X
5C 1 00-7F AC1 AMPLITUDE CONTROL -100…0…+100[%] 40 O X X X
5D 1 00-7F AC1 LFO PMOD DEPTH 0…127 00 O X X X
5E 1 00-7F AC1 LFO FMOD DEPTH 0…127 00 O X X X
5F 1 00-7F AC1 LFO AMOD DEPTH 0…127 00 O X X X
60 1 00-5F AC2 CONTROLLER NUMBER 0…95 11 O X X X
61 1 28-58 AC2 PITCH CONTROL -24…0…+24[semitones] 40 O X X X
62 1 00-7F AC2 LOW PASS FILTER CONTROL -9600…0…+9450[cent] 40 O X X X
63 1 00-7F AC2 AMPLITUDE CONTROL -100…0…+100[%] 40 O X X X
64 1 00-7F AC2 LFO PMOD DEPTH 0…127 00 O X X X
65 1 00-7F AC2 LFO FMOD DEPTH 0…127 00 O X X X
66 1 00-7F AC2 LFO AMOD DEPTH 0…127 00 O X X X
67 1 00-01 PORTAMENTO SWITCH OFF, ON 00 O X X X
68 1 00-7F PORTAMENTO TIME 0…127 00 O X X X
69 1 00-7F PITCH EG INITIAL LEVEL -64…0…+63 40 O X X X
6A 1 00-7F PITCH EG ATTACK TIME -64…0…+63 40 O X X X
6B 1 00-7F PITCH EG RELEASE LEVEL -64…0…+63 40 O X X X
6C 1 00-7F PITCH EG RELEASE TIME -64…0…+63 40 O X X X
6D 1 01-7F VELOCITY LIMIT LOW 1…127 01 O X X X
6E 1 01-7F VELOCITY LIMIT HIGH 1…127 7F O X X X
70 1 NOT USED
71 1 NOT USED
72 1 00-7F EQ BASS GAIN -12dB…+12dB 40 O X X X
73 1 00-7F EQ TREBLE GAIN -12dB…+12dB 40 O X X X
74 1 NOT USED
75 1 NOT USED
76 1 04-28 EQ BASS FREQUENCY 32. 2.0k[Hz] 0C O X X X
77 1 1C-3A EQ TREBLE FREQUENCY 500. 16.0k[Hz] 36 O X X X
78 1 NOT USED
79 1 NOT USED
7A 1 NOT USED
7B 1 NOT USED
7C 1 NOT USED
7D 1 NOT USED
7E 1 NOT USED
7F 1 NOT USED
0A      nn      40 1 00-7F MW OFFSET LEVEL CONTROL -100 – 100[%] 40 O X X X
41 1 00-7F BEND OFFSET LEVEL CONTROL -100 – 100[%] 40 O X X X
42 1 00-7F CAT OFFSET LEVEL CONTROL -100 – 100[%] 40 O X X X
43 1 00-7F PAT OFFSET LEVEL CONTROL -100 – 100[%] 40 O X X X
44 1 00-7F AC1 OFFSET LEVEL CONTROL -100 – 100[%] 40 O X X X
45 1 00-7F AC2 OFFSET LEVEL CONTROL -100 – 100[%] 40 O X X X

nn = PART NUMBER
If there is a Drum Voice assigned to the part, the following parameters are ineffective.

  • BANK SELECT LSB
  • PORTAMENTO
  • MONO/POLY
  • SCALE TUNING
  • POLY AFTER TOUCH
  • PITCH EG

MIDI Parameter Change table (DRUM SETUP)

 

Address (H)

 

Size (H)

 

Data (H)

 

Parameter

 

Description

 

XG Default (H)

MIDI Reception MIDI Transmission
 

Song

Main Layer Left Panel (main genera-

tion method)

 

Song

3n       rr          00 1 00-7F PITCH COARSE -64…0…+63 40 O X X O
01 1 00-7F PITCH FINE -64…0…+63[cent] 40 O X X O
02 1 00-7F LEVEL 0…127 Depends on the note. O X X O
03 1 00-7F ALTERNATE GROUP OFF, 1…127 Depends on the note. O X X O
04 1 00-7F PAN RND, L63…C…R63 Depends on the note. O X X O
05 1 00-7F REVERB SEND 0…127 Depends on the note. O X X O
06 1 00-7F CHORUS SEND 0…127 Depends on the note. O X X O
07 1 00-7F VARIATION SEND 0…127 7F O X X O
08 1 00-01 KEY ASSIGN SINGLE, MULTI 00 O X X O
09 1 00-01 Rcv NOTE OFF OFF, ON Depends on the note. O X X O
0A 1 00-01 Rcv NOTE ON OFF, ON 01 O X X O
0B 1 00-7F LOW PASS FILTER CUTOFF FREQUENCY -64…0…+63 40 O X X O
0C 1 00-7F LOW PASS FILTER RESONANCE -64…0…+63 40 O X X O
0D 1 00-7F EG ATTACK RATE -64…0…+63 40 O X X O
0E 1 00-7F EG DECAY1 RATE -64…0…+63 40 O X X O
0F 1 00-7F EG DECAY2 RATE -64…0…+63 40 O X X O
20 1 00-7F EQ BASS GAIN -12…+12[dB] 40 X X X X
21 1 00-7F EQ TREBLE GAIN -12…+12[dB] 40 X X X X
22 1 NOT USED
23 1 NOT USED
24 1 04-28 EQ BASS FREQUENCY 32.. 2.0k[Hz] 0C X X X X
25 1 1C-3A EQ TREBLE FREQUENCY 500. 16.0k[Hz] 36 X X X X
26 1 NOT USED
27 1 NOT USED
28 1 NOT USED
29 1 NOT USED
2A 1 NOT USED
2B 1 NOT USED
2C 1 NOT USED
2D 1 NOT USED

n:Drum Setup Number (0-1)
rr:note number(0D-5B)
In the following cases, the instrument will initialize all Drum Setups.

  • XG SYSTEM ON received
  • GM SYSTEM ON received
  • GM LEVEL2 SYSTEM ON received
  • GS RESET received
  • DRUM SETUP RESET received (only when in XG mode)

NOTICE
When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is assigned.

System Exclusive Messages (1)

* Not Received when Receive Parameter SysEx is set to off.
* Not transmitted when Transmit Parameter SysEx is set to off.

System Exclusive Messages (Universal Non-Real Time Messages)
MIDI Event Data Format MIDI

Formats

MIDI Reception MIDI Transmission
Song Main Layer Left Panel

(main generation method)

Song
GM1 System On F0 7E XN 09 01 F7

11110000   F0 = Exclusive status

01111110   7E = Universal Non-Real Time

0xxxnnnn   XN = When N is received N=0-F,whichever is received. X=ignored

00001001   09 = Sub-ID #1=General MIDI Message

00000001   01 = Sub-ID #2=General MIDI On

11110111   F7 = End of Exclusive

[GM1]

[GM2]

O X X X*1
General MIDI System Off F0 7E XN 09 02 F7

11110000   F0 = Exclusive status

01111110   7E = Universal Non-Real Time

0xxxnnnn   XN = When N is received N=0-F,whichever is received. X=ignored

00001001   09 = Sub-ID #1=General MIDI Message

00000010   02 = Sub-ID #2=General MIDI Off

11110111   F7 = End of Exclusive

[GM1]

[GM2]

O X X X*1

System Exclusive Messages (2)

* Not Received when Receive Parameter SysEx is set to off.
* Not transmitted when Transmit Parameter SysEx is set to off.

System Exclusive Messages (XG)
 

MIDI Event

 

Data Format

MIDI Reception MIDI Transmission
 

Song

Main Layer Left Panel (main generation

method)

 

Song

XG Parameter Change F0 43 1n 4C 11110000 01000011 0001nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 0ddddddd

11110111

hh  mm  ll  dd  …   F7   F0 = Exclusive status

43 = YAMAHA ID

1n = Device Number n=always 0(when transmit), n=0-F(when receive) 4C = Model ID

hh = Address High mm = Address Mid ll  = Address Low dd = Data

F7 = End of Exclusive

O X O X
*Refer to *Refer to
Parameter Parameter
Change Table. Change Table.
XG Bulk Dump F0 43 0n 4C 11110000 01000011 0000nnnn 01001100 0aaaaaaa 0bbbbbbb 0hhhhhhh 0mmmmmmm 0lllllll 0ddddddd

0ddddddd 0ccccccc 11110111

aa  bb   hh   mm   ll   dd   …   dd   cc   F7   F0 = Exclusive status

43 = YAMAHA ID

0n = Device Number n=always 0(when transmit), n=0-F(when receive) 4C = Model ID

aa = Byte Count MSB bb = Byte Count LSB hh  = Address High mm = Address Mid

ll = Address Low dd = Data

dd = Data

cc = Checksum

F7 = End of Exclusive

O X O X
*Refer to *Refer to
Parameter Parameter
Change Table. Change Table.
XG Parameter Request F0 43 3n 4C 11110000 01000011 0011nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 11110111 hh mm ll F7

F0 = Exclusive status

43 = YAMAHA ID

3n = Device Number n=always 0(when transmit), n=0-F(when receive) 4C = Model ID

hh = Address High mm = Address Mid ll = Address Low

F7 = End of Exclusive

O

*Refer to Parameter Change Table.

X X
(However, the request for address

“0A nn 4v” will be ignored.)

XG Dump Request F0 43 2n 4C 11110000 01000011 0010nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 11110111 hh mm ll F7

F0 = Exclusive status

43 = YAMAHA ID

2n = Device Number n=always 0(when transmit), n=0-F(when receive) 4C = Model ID

hh = Address High mm = Address Mid ll = Address Low

F7 = End of Exclusive

O

*Refer to Parameter Change Table.

X X
(However, the request for address

“0A nn 40” will

be ignored.)

System Exclusive Messages (Others)
MIDI Event Data Format MIDI Reception

(effective or not for each part)

MIDI Transmission

(generated data)

Song Main Layer Left Panel (main generation

method)

Song
MIDI Master Tuning F0 43 1n 27 30 00 00  mm  ll  cc  F7  11110000   F0 = Exclusive status 01000011   43 = YAMAHA ID

0001nnnn   1n n= always 0(when transmit), n=0-F(when receive)

00100111   27 = Model ID of TG100

00110000   30 = Address High

00000000   00 = Address Mid

00000000   00 = Address Low 0000mmmm   0m = Master Tune MSB 0000llll    0l = Master Tune LSB 0ccccccc          cc = don’t care

11110111   F7 = End of Exclusive

O X X

System Exclusive Messages (Preset Voice)

 

 

MIDI Event

 

 

Data Format

MIDI Reception

(effective or not for each part)

MIDI Transmission

(generated data)

 

Song

Main Layer Left Panel (main generation

method)

 

Song

String Resonance Depth F0 43    73   01

11110000

01000011

01110011

00000001

01010000

00010001

0000nnnn 00000010

0ddddddd

11110111

50 11 0n 02 dd F7

F0 = Exclusive status

43   = YAMAHA ID

73   = Clavinova ID

01 = Model ID (Clavinova common ID)

50   = SubID

11     = SubID

0n = Channel (00-0F)

02 = SubID(String Resonance Depth) dd = Depth(00-48)

F7 = End of Exclusive

X X X X
Sustain Sample Depth F0 43 73 01 50 11 0n 03 dd F7 X X O X
11110000 F0 = Exclusive status (Damper
01000011 43 = YAMAHA ID Resonance)
01110011 73 = Clavinova ID
00000001 01 = Model ID (Clavinova common ID)
01010000 50 = SubID
00010001 11 = SubID
0000nnnn 0n = Channel (00-0F)
00000011 03 = SubID(Sustain Sample Depth)
0ddddddd dd = Depth(00-48)
11110111 F7 = End of Exclusive
Key Off Sampling Depth F0 43    73   01

11110000

01000011

01110011

00000001

01010000

00010001

0000nnnn 00000100

0ddddddd

11110111

50 11 0n 04 dd F7

F0 = Exclusive status

43   = YAMAHA ID

73   = Clavinova ID

01 = Model ID (Clavinova common ID)

50   = SubID

11     = SubID

0n = Channel (00-0F)

04 = SubID(Key Off Sampling Depth) dd = Depth(00-50)

F7 = End of Exclusive

O X X X
Soft Pedal Depth F0 43    73   01

11110000

01000011

01110011

00000001

01010000

00010001

0000nnnn 00000101

0ddddddd

11110111

50 11 0n 05 dd F7

F0 = Exclusive status

43   = YAMAHA ID

73   = Clavinova ID

01 = Model ID (Clavinova common ID)

50   = SubID

11     = SubID

0n = Channel (00-0F)

05 = SubID(Soft Pedal Depth) dd = Depth(00-7F)

F7 = End of Exclusive

O X X X

* For each Depth value, the reset value is 40H = voice parameter

Effect Type List(Panel)

Reverb Type List

Effect Name Decimal Hex
MSB LSB MSB LSB
Off 0 0 0H 0H
Recital Hall 1 24 1H 18H
Concert Hall 1 4 1H 4H
Chamber 2 24 2H 18H
Club 3 24 3H 18H

DSP Type List

Effect Name Decimal Hex
MSB LSB MSB LSB
Damper Resonance 123 8 7BH 8H

MIDI Implementation Chart

Function… Transmitted Recognized Remarks
Basic Channel Default Changed 1

o

1 – 16

o

Mode Default 3 3
Messages x x
Altered ************** x
Note : True voice 0 – 127 0 – 127
Number ************** 0 – 127
Velocity Note ON Note OFF o 9nH,v=1-127

o 8nH,v=64

o 9nH,v=1-127

o 9nH,v=0 or 8nH

After Touch Key’s Ch’s x x o o
Pitch Bend x *2 o 0 – 24 semi *1
0,32 o *2

*2

*2

*2

*2

*2

*2

*2

*2

o Bank Select

Expression Data Entry Pedal Portamento

Sound Controller Portamento Control Effect Depth

RPN Inc,Dec NRPN LSB,MSB RPN LSB,MSB

1,5 x o
7,10 o o
11 x o
Control Change 6,38

64,66,67

65

71-74

84

x

o x x x

o

o o o o

91,93 o o
96-97 x o
98-99 x o
100-101 x o
Prog Change : True # o 0 – 127

**************

o 0 – 127
System Exclusive o o
Common : Song Pos. x x
: Song Sel. x x
: Tune x x
System   : Clock Real Time: Commands o o x o
Aux  :LRelsletlSoAulnld CFOnFtrFls Mseasg-es:AclolcaNoetOeNs/OOFF

:Retsievt  Sense

x

xox

o(12210),126,127)

o(123)-125)

x

Notes:*1 For some Voices (such as Piano or Harpsichord Voices), the pitch may not be changed according to the pitch bend setting range.

*2 These Control Change messages cannot be transmitted by panel operations, but can be transmitted by Song/Rhythm playback data.

Mode 1 : OMNI ON , POLY
Mode 2 : OMNI ON , MONO
Mode 3 : OMNI OFF, POLY
Mode 4 : OMNI OFF, MONO

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YAMAHA YPT-370 Digital Keyboard Manual https://itsmanual.com/yamaha/ypt-370-keyboard/ Wed, 26 Jul 2023 08:12:19 +0000 https://itsmanual.com/?p=175040 Read More...

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YAMAHA YPT-370 Digital Keyboard

 

WARNING:

This appliance cannot be used by children or persons with reduced physical, sensory or mental capabilities or lack of experience and knowledge. Children shall not play with the appliance. Cleaning and user maintenance shall not be made by children.
If the supply cord is damaged, it must be replaced by the manufacturer, its service agent or similarly qualified persons in order to avoid a hazard.
A fire may result if the appliance is not used with care, therefore:

  • be careful when using the appliance in places where there are combustible materials;
  • do not apply to the same place for a long time;
  • do not use in presence of an explosive atmosphere;
  • be aware that heat may be conducted to combustible materials that are out of sight;
  • place the appliance on its stand after use and allow it to cool down before storage;
  • do not leave the appliance unattended when it is switched on.

INTENDED USE

Your heat gun has been designed for stripping paint, soldering pipes, shrinking PVC, welding and bending plastic as well as general drying and thawing purposes.

WARNING:

Read this manual and general safety Instructions carefully before using the appliance, for your own safety. Your power tool should only be passed on together with these instructions.
The tool should be connected only to a power supply of the same voltage as indicated on the nameplate, and can only be operated on single-phase AC supply. They are double-insulated and can, therefore, also be used from sockets without earth wire.
Hot surfaces – Burns to fingers or hands.

DESCRIPTION

  1. Slide switch
  2. Temperature setting button (2a -, 2b+)
  3. Air volume setting button (3a -, 3b +)
  4. Confirmation button
  5. LCD
  6. Preset button
  7. Air inlet
  8. Front cover
  9. Nozzle

PACKAGE CONTENT LIST

Check the appliance, the power cord, the power plug and all accessories for transportation damages.

  • 1 Heat gun
  • 1 Set of accessories (Accessories may not be necessarily be included)
  • 1 Instruction manual Packing materials are not toys! Children must not play with plastic bags! Danger of suffocation!

GENERAL POWER TOOL SAFETY WARNINGS

Read all safety warnings, instructions, illustrations and specifications provided with this power tool. Failure to follow all instructions listed below may result in electric shock, fire and/or serious injury.

Work area safety

  1. Keep work area clean and well lit. Cluttered or dark areas invite accidents.
  2. Do not operate power tools in explosive atmospheres, such as in the presence of flammable liquids, gases or dust. Power tools create sparks which may ignite the dust or fumes.
  3. Keep children and bystanders away while operating a power tool. Distractions can cause you to lose control.

Electrical Safety

  1. Power tool plugs must match the outlet. Never modify the plug in any way. Do not use any adapter plugs with earthed (grounded) power tools. Unmodified plugs and matching outlets will reduce risk of electric shock.
  2. Avoid body contact with earthed or grounded surfaces, such as pipes, radiators, ranges and refrigerators. There is an increased risk of electric shock if your body is earthed or grounded.
  3. Do not expose power tools to rain or wet conditions. Water entering a power tool will increase the risk of electric shock.
  4. Do not abuse the cord. Never use the cord for carrying, pulling or unplugging the power tool.
    Keep cord away from heat, oil, sharp edges or moving parts. Damaged or entangled cords increase the risk of electric shock.
  5. When operating a power tool outdoors, use an extension cord suitable for outdoor use. Use of a cord suitable for outdoor use reduces the risk of electric shock.
  6. If operating a power tool in a damp location is unavoidable, use a residual current device (RCD) protected supply. Use of an RCD reduces the risk of electric shock.
  7. Use of power supply via an RCD with a rated residual current of 30 mA or less is always recommended.
  8. Power tools can produce electromagnetic fields (EMF) that are not harmful to the user. However, users of pacemakers and other similar medical devices should contact the maker of their device and/or doctor for advice before operating this power tool.
  9. Do not touch the power plug with wet hands.
  10. If the cord is damaged, have it replaced by the manufacturer or his agent in order to avoid a safety hazard.

Personal Safety

  1. Stay alert, watch what you are doing and use common sense when operating a power tool.
    Do not use a power tool while you are tired or under the influence of drugs, alcohol or medication. A moment of inattention while operating power tools may result in serious personal injury.
  2. Use personal protective equipment. Always wear eye protection. Protective equipment such as a dust mask, non-skid safety shoes, hard hat or hearing protection used for appropriate conditions will reduce personal injuries.
  3. Prevent unintentional starting. Ensure the switch is in the off-position before connecting to power source and/or battery pack, picking up or carrying the tool. Carrying power tools with your finger on the switch or energising power tools that have the switch on invites accidents.
  4. Remove any adjusting key or wrench before turning the power tool on. A wrench or a key left attached to a rotating part of the power tool may result in personal injury.
  5. Do not overreach. Keep proper footing and balance at all times. This enables better control of the power tool in unexpected situations.
  6. Dress properly. Do not wear loose clothing or jewellery. Keep your hair and clothing away from moving parts. Loose clothes, jewellery or long hair can be caught in moving parts.
  7. If devices are provided for the connection of dust extraction and collection facilities, ensure these are connected and properly used. Use of dust collection can reduce dust-related hazards.
  8. Do not let familiarity gained from frequent use of tools allow you to become complacent and ignore tool safety principles. A careless action can cause severe injury within a fraction of a second.
  9. Always wear protective goggles to protect your eyes from injury when using power tools.
    The goggles must comply with ANSI Z87.1 in the USA, EN 166 in Europe, or AS/NZS 1336 in Australia/New Zealand. In Australia/New Zealand, it is legally required to wear a face shield to protect your face, too.

It is an employer’s responsibility to enforce the use of appropriate safety protective equipment’s by the tool operators and by other persons in the immediate working area.

Power tool use and care

  1. Do not force the power tool. Use the correct power tool for your application. The correct power tool will do the job better and safer at the rate for which it was designed.
  2. Do not use the power tool if the switch does not turn it on and off. Any power tool that cannot be controlled with the switch is dangerous and must be repaired.
  3. Disconnect the plug from the power source and/or remove the battery pack, if detachable, from the power tool before making any adjustments, changing accessories, or storing power tools. Such preventive safety measures reduce the risk of starting the power tool accidentally.
  4. Store idle power tools out of the reach of children and do not allow persons unfamiliar with the power tool or these instructions to operate the power tool. Power tools are dangerous in the hands of untrained users.
  5. Maintain power tools and accessories. Check for misalignment or binding of moving parts, breakage of parts and any other condition that may affect the power tool’s operation. If damaged, have the power tool repaired before use.
    Many accidents are caused by poorly maintained power tools.
  6. Keep cutting tools sharp and clean. Properly maintained cutting tools with sharp cutting edges are less likely to bind and are easier to control.
  7. Use the power tool, accessories and tool bits etc. in accordance with these instructions, taking into account the working conditions and the work to be performed. Use of the power tool for operations different from those intended could result in a hazardous situation.
  8. Keep handles and grasping surfaces dry, clean and free from oil and grease. Slippery handles and grasping surfaces do not allow for safe handling and control of the tool in unexpected situations.
  9. When using the tool, do not wear cloth work gloves which may be entangled. The entanglement of cloth work gloves in the moving parts may result in personal injury.

Service

  1. Have your power tool serviced by a qualified repair person using only identical replacement parts. This will ensure that the safety of the power tool is maintained.
  2. Follow instruction for lubricating and changing accessories.
ADDITIONAL SAFETY INSTRUCTIONS FOR HEAT GUN
  • Do not place your hand over the air vents or block the vents in any way.
  • The nozzle and accessories of this tool become extremely hot during use. Let these parts cool down before touching.
  • Always switch the tool off before putting it down.
  • Do not leave the tool unattended while it is switched on.
  • A fire may arise if the appliance is not used with care.
  • Heat may be conducted to combustible materials that are out of sight. Do not use in a damp atmosphere, where flammable gases may be present or near combustible materials.
  • Allow the tool to cool fully before storing.
  • Ensure adequate ventilation as toxic fumes may be produced.
  • Do not use as a hairdryer.
  • Do not obstruct either the air intake or nozzle outlet, as this may cause excessive heat build-up resulting in damage to the tool.
  • Do not direct the hot air blast at other people.
  • Do not touch the metal nozzle as it becomes very hot during use and remains hot for up to 30 minutes after use.
  • Do not place the nozzle against anything while using or immediately after use.
  • Do not poke anything down the nozzle as it could give you an electric shock. Do not look down the nozzle while the unit is working because of the high temperature being produced.
  • Do not allow paint to adhere to the nozzle or scraper as it could ignite after some time.

Removing paint

  • Do not use this tool to remove paint containing lead. The peelings, residue and vapors of paint may contain lead, which is poisonous. Any pre-1960 building may have been painted in the past with paint containing lead and covered with additional layers of paint. Once deposited on surfaces, hand to mouth contact can result in the ingestion of lead. Exposure even to low levels of lead can cause irreversible damage to the brain and nervous system. Young and unborn children are particularly vulnerable.
  • When removing paint, ensure that the work area is enclosed. Preferably wear a dust mask.
  • Do not burn the paint. Use the scraper and keep the nozzle at least 25 mm away from the painted surface. When working in a vertical direction, work downwards to prevent paint from falling into the tool and burning.
  • Dispose of all paint debris safely and ensure that the work area is thoroughly cleaned after completing the work.

MOUNTING THE CORRECT ACCESSORY (IF APPLICABLE)

image 2

  • Make sure that the tool is switched off and the nozzle has cooled down.
  • Falling down nozzle may ignite objects on the floor. Nozzles must be mounted firmly and secure on the unit.
  • Touching a hot nozzle can lead to serious burn. Before attaching or replacing a nozzle, allow the unit to cool down completely or use a suitable tool.
  • A hot nozzle can set a surface on fire. Place down hot nozzles only on fire-proof surfaces.
  • An incorrect or defective nozzle can lead to heat accumulation and damage the unit. Use only original nozzles according to the table that are suitable for your unit.

INSTRUCTIONS FOR USE

If you are not sure about the correct setting, start with a low temperature setting and gradually increase the temperature until you achieve optimum results.

  • Always observe the safety instructions and applicable regulations.
  • Use only one hand to hold the tool, do not place your other hand over the air vents.(Fig. 1)
  • Do not use the holes on the tool housing for the fall prevention purpose at high location.

Prior to operation

  • Mount the correct accessory for the application. Switching on and off
  • Number of the slide switch means as follows.

HG6530V:
0: OFF position
1: For cooling down with approx. 50°C airflow
2: For heating with low air volume
3: For heating with high air volume
HG6531C:
0: OFF position
1: For cooling down with approx. 50°C airflow
2: For heating

  • To switch the heat gun on, slide the slide switch (1) from 0 to one of the ON positions 1, 2 or 3.
  • To switch off the heat gun, set the slide switch to position 1 to cool off for a while, and then set the slide switch to position 0 (OFF).

The heat gun may give off some smoke shortly after switching on.
This does not indicate a problem with the device.

Setting the temperature (HG6530V)

The temperature can be set with the slide switch (1) at position 2 or 3.

  • Press the temperature setting button + (2b) to increase the temperature, and – (2a) to decrease the temperature. The LCD (5) displays the present temperature of the airflow few seconds after the target temperature was set.
  • To switch the unit of the temperature between °C or °F, press + and – together.

Selecting the preset mode (HG6531C)
14 preset modes are available to quickly set the temperature and air volume suitable for major applications.
Select the desired preset application as follows.

  1. Set the slide switch (1) at position 2. The LCD (5) displays the application name that was used at the last time, and corresponding temperature and air volume settings. Few seconds later, the LCD displays the present temperature of the airflow.
  2. Press the preset button (6). The application name starts to scroll.
  3. Press the temperature setting buttons (2a/b) or air volume setting buttons (3a/b) to select the application. When the desired application name is displayed on the LCD, press the confirmation button (4) to decide it.

Whenever a setting is not confirmed by pressing the confirmation button (4) within 5-6 seconds, the device reverts to the previously confirmed setting.

Setting the temperature and air volume (HG6531C)

Change the temperature and air volume as follows.
With the slide switch (1) at position 1, only the air volume can be changed.

With the slide switch at position 2, this procedure overwrites the preset temperature and air volume of the application currently displayed on the LCD.

  1. Set the slide switch (1) at position 1 or 2.
  2. Press the temperature setting buttons (2a/b) to change the temperature. Press the air volume setting buttons (3a/b) to change the air volume.
    The indications of temperature and air volume on the LCD (5) start to blink.
  3. Press the confirmation button (4) to confirm the setting.

The temperature and air volume on the LCD stop blinking. Few seconds later, the LCD displays the present temperature of the airflow.

Whenever a setting is not confirmed by pressing the confirmation button (4) within 5-6 seconds, the device reverts to the previously confirmed setting.

MAINTENANCE AND CLEANING

Attention: Before performing any work on the equipment, pull the power plug.

Maintenance
Your Power Tool has been designed to operate over a long period of time with a minimum of maintenance. Continuous satisfactory operation depends upon proper tool care and regular cleaning.

Lubrication
Your power tool requires no additional lubrication.

Cleaning

  • To prevent overheating of the motor, keep the ventilation slots of the machine clean and free from dust and dirt.
  • Regularly clean the machine housing with a soft cloth, preferably after each use. If the dirt does not come off use a soft cloth moistened with soapy water.

Never use solvents such as petrol, alcohol, ammonia water, etc. These solvents may damage the plastic parts.

TECHNICAL DATA

Default setting of the preset mode

ENVIRONMENT

Should your appliance need replacement after extended use, do not discard it with the household rubbish but dispose of it in an environmentally safe way.
Waste produced by electrical machine items should not be handled like normal household rubbish. Please recycle where facilities exist. Check with your Local Authority or retailer for recycling advice.
Subject to change without notice.

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